Maximum The Hormone Discography 20012011 Flac Instant

The Sonic Journey of Maximum the Hormone (2001-2011)

In the early 2000s, the Japanese music scene was buzzing with the emergence of a unique band that would shake the foundations of the industry. Maximum the Hormone, a name that sparked curiosity and intrigue, was about to embark on a sonic adventure that would span over a decade.

Formed in 2001, the band consisted of four talented individuals: Daisuke-han (vocals), Nao (guitar), Ue-chan (bass), and Ryo-fer (drums). With their eclectic blend of rock, pop, and metal, they quickly gained a loyal following in Japan.

Their early years were marked by energetic live performances, quirky music videos, and a dash of humor. In 2002, they released their debut single, "School Bakuretsu Shinkuron!", which showcased their raw energy and zany style. This was followed by their first album, "A.S.A.T.O.R.", in 2003.

As the years went by, Maximum the Hormone continued to evolve and experiment with their sound. In 2005, they released "GrimEater", an album that showcased their ability to craft catchy hooks and infectious melodies. The band's popularity grew, and they began to tour extensively, both domestically and internationally.

The years 2007 and 2008 saw the release of two critically acclaimed albums: "The PopMatters" and "Butai". These albums solidified the band's reputation as innovators, pushing the boundaries of Japanese rock music.

In 2011, Maximum the Hormone released their sixth studio album, "Yoshimura Shōjo Kaikei", which marked a new chapter in their musical journey. The album featured a more mature and refined sound, with intricate arrangements and thought-provoking lyrics.

Throughout their career, Maximum the Hormone has been praised for their innovative approach to music, blending seemingly disparate elements into a unique sound. Their discography, spanning from 2001 to 2011, is a testament to their creativity, experimentation, and dedication to their craft.

The FLAC Collection

For fans and collectors, the "Maximum the Hormone discography 2001-2011 FLAC" represents a treasure trove of sonic delights. This comprehensive collection features all six studio albums, plus numerous singles, EPs, and live recordings, meticulously remastered in high-quality FLAC format.

Owning this collection is like having a front-row ticket to the band's remarkable journey. From the early days of raw energy and experimentation to the later years of refinement and maturity, every note and every beat tells a story of artistic growth and innovation.

As you immerse yourself in the world of Maximum the Hormone, you'll discover a universe of infectious melodies, genre-bending experimentation, and a band that has left an indelible mark on the music world.

Enjoy the sonic adventure!

The story of Maximum the Hormone (MTH) between 2001 and 2011 is a chaotic ascent from the underground gutters of Hachiōji to becoming a global cult phenomenon. This decade defines the band's golden era, where they perfected their "genre-bending" signature—a jarring, high-fidelity collision of nu-metal, hardcore punk, pop, and funk. The Rise of the "Harapeko" (2001–2004) maximum the hormone discography 20012011 flac

The decade began with the band solidifying the iconic "four-way" vocal attack. After their debut EP (2001), they founded their own label, Mimikajiru , and released Mimi Kajiru (2002). By the time

("Crap Disc") arrived in 2004, MTH had mastered the art of "musical whiplash"—switching from brutal screaming to J-pop melodies in a single bar—attracting a massive following known as "Harapeko" (the hungry ones). Mainstream Explosion (2005–2007) Signing with major label

, the band entered their most commercially successful period: Rokkinpo Goroshi (2005):

Their first album to crack the Top 40, turning their bizarre humor and slap-bass aggression into a national trend. The Death Note Boost:

The band reached global ears when "What's Up, People?!" and "Zetsubou Billy" were featured as themes for the Death Note Buiikikaesu (2007): This gold-certified masterpiece debuted at Number 5 on the Oricon Charts , featuring the iconic hit "Koi no Mega Lover". Culmination: Greatest the Hits 2011–2011

After a brief hiatus while drummer Nao welcomed a child, the band returned with a "triple A-side" single that ironically claimed to be their greatest hits for that specific year. This release was their first to reach

on the charts, selling over 81,000 copies in its first week and signaling that their experimental chaos was now the peak of Japanese heavy music. Mimi Kajiru

Between 2001 and 2011, the Japanese metal band Maximum the Hormone released their most iconic studio albums and EPs, solidifying their signature blend of nu-metal, hardcore punk, and pop. Studio Albums

Hō (2001): The band's first full-length album following their underground debut.

Mimi Kajiru (2002): Featured a heavier sound and re-recorded tracks from their early demo days.

Kusoban (2004): A breakout release that integrated more eclectic genres like funk and ska.

Rokkinpo Goroshi (2005): Included the hit "What's Up, People?!" which later gained international fame.

Bu-ikureita (2007): Their most commercially successful album, reaching high positions on the Oricon charts. It features tracks used in the Death Note anime series. Major EPs and Singles The Sonic Journey of Maximum the Hormone (2001-2011)

Nikuchukitsu (2002): An early EP showcasing their experimental hardcore roots.

Enzu no Ko (2003): Continued their progression toward a more polished alternative metal sound.

Koi no Mega Lover (2006): A massive single that propelled them into the mainstream spotlight.

Greatest the Hits 2011–2011 (2011): Despite the title, this was a triple A-side single featuring "Maximum the Hormone," "ChuChu Lovely MuniMuni MuraMura PrinPrin Boron Nururu ReroRero," and "A-L-I-E-N." FLAC Availability

While official digital FLAC versions can be difficult to find outside of Japan, high-fidelity lossless audio for this era is primarily sourced from the original Japanese CD pressings. Fans often seek these out on platforms like the CDJapan Store or through second-hand retailers like Discogs.

This report details the major discography milestones for the Japanese metal band Maximum the Hormone between 2001 and 2011. During this era, the band transitioned from an underground act to mainstream success, largely fueled by their contributions to popular anime series like Death Note. Major Album Releases (2001–2011)

Between 2001 and 2011, the band released several definitive studio albums and EPs that defined their signature mix of metalcore, punk, and pop.

Hō (2001): An early mini-album that helped establish their fanbase.

Mimi Kajiru (2002): A significant early EP featuring tracks later re-recorded for their 2015 "Shinuchi" version.

Kusoban (2004): Their third album, featuring the fan-favorite "Koi no Sweet Kuso Meriken".

Rokkinpo Goroshi (2005): Their first album to break the Oricon Top 40, peaking at number 27.

Bu-ikikaesu (2007): Their most commercially successful era, certified gold and peaking at number 5 on the Oricon charts. It features the hits "What's Up, People?!" and "Zetsubou Billy". Key Singles & EPs Niku Cup (2002): Early single release.

Enzui Tsuki Waru (2003): Featured "Rolling 1000toon," used as an ending theme for Air Master. Note: Yoshu Fukushu (2011) is the cut-off; later

Zawa...Zawa...Za..Zawa......Zawa (2005): Released just before their major chart breakthrough.

Koi no Mega Lover (2006): A massive single that reached the Top 10.

Tsume Tsume Tsume / "F" (2008): A gold-certified double A-side single.

Greatest the Hits 2011–2011 (2011): A triple A-side single that topped the Oricon charts and served as their final major release of this decade. Cultural Impact (Anime & Media)

The band’s global popularity spiked during this period due to high-profile anime tie-ins:

"What's Up, People?!" and "Zetsubou Billy" served as the second opening and ending themes for the Death Note anime in 2006. "Rolling 1000toon" was used in the anime Air Master.

Note on FLAC/Audio Quality: While original physical releases from this era (2001–2011) are available on CD, digital FLAC versions are typically sought through high-resolution music stores or specialized digital archives to preserve the band's complex, multi-layered production. Maximum The Hormone - Discogs

However, I can’t provide direct download links to copyrighted material. What I can do is give you the list of releases from that period, so you can search for them legally or on authorized platforms.

1. Studio Albums (2001–2011)

| Year | Title | FLAC Availability | Notes | |------|-------|------------------|-------| | 2001 | A.S.A. Crew | Limited | Indie release; FLAC rips exist from CD, but rare. Not on streaming. | | 2002 | Hō (鳳) | Yes | First major-label mini-album; available in FLAC from CD or Japan digital stores (e.g., OTOTOY, mora). | | 2003 | Mimi Kajiru (耳噛じる) | Yes | Popular early work; FLAC from CD (VPCG-84831). | | 2005 | Rokkinpo Goroshi (ロッキンポ殺し) | Yes | Breakthrough album; FLAC widely available (CD rip or Qobuz). | | 2007 | Buiikikaesu!! (ぶいーいかえす！！) | Yes | Their most famous album (contains “What’s up, people?!”); FLAC from CD (VPCC-81540) or HDtracks. | | 2011 | Yoshu Fukushu (予襲復讐) | Yes | Final album before hiatus; FLAC from CD (VPCC-81714) or 24-bit/48kHz from OTOTOY. |

Note: Yoshu Fukushu (2011) is the cut-off; later albums (2013–present) are excluded per request.

5. Missing / Hard-to-Find in FLAC (2001–2011)

“Hō” (2001 indie single) – No digital FLAC; only CD.
“A.S.A. Crew” (album) – Out of print; FLAC rips are scarce and often poor quality.
DVD-Audio or 24-bit versions – None officially exist except Yoshu Fukushu (24/48).

Report: Maximum the Hormone – Discography 2001–2011 (FLAC)

Artist: Maximum the Hormone (マキシマムザホルモン)
Period covered: 2001 (major debut) – 2011 (pre-Yoshu Fukushu era)
Format focus: FLAC (Free Lossless Audio Codec), typically 16-bit / 44.1 kHz (CD quality) or higher

1. A.S.A. Crew (EP – 2001)

Before the full-length fame, there was this independent EP. Sonically, it is rougher—closer to early SOAD meets Japanese hardcore. Why FLAC matters here: The original CD pressing had poor dynamic range. A proper FLAC rip preserves the raw, unpolished edge that MP3 compression destroys. Tracks like "A.S.A. Crew" and "Koi no Sweet Punk" show Nao’s drumming in its most primal form.

Where to find FLAC files legally

OTOTOY (Japanese site, often sells FLAC)
Qobuz
HDtracks (limited J-rock, but check)
Mora.jp (requires Japanese payment method)
CDs + self-ripping – many of these albums are available used on CDJapan or eBay.

If you need the exact tracklists for each release to verify a complete FLAC set you already have, let me know and I’ll list them.

Singles / EPs (2001–2011)

2004 – Enzui Tsukiwaru (single)
2005 – What's up, people?! (digital single)
2006 – Koi no Mega Lover (single)
2007 – Zetsubō Billy (single)
2008 – Tsume Tsume Tsume / "F" (double A-side single)
2009 – Greatest the Hits 2006–2009 (compilation, includes new tracks)