"Soredemo Ashita mo Kareshi ga Ii" (also known as "Even So, Tomorrow's Him is Fine") is a Japanese manga series written and illustrated by J-ta Yamada. The series revolves around the daily life of a high school girl named Hana Amano and her relationships.
By [Author Name]
For years, the world of shoujo and josei manga has been filled with two distinct types of love stories. First, there is the "Cinderella" arc: the chase, the confession, and the tearful first kiss under fireworks. Second, there is the "NTR" or melodramatic breakup arc: the misunderstanding, the love triangle, and the dramatic exit.
But what happens after the credits roll? What happens when the fireworks fade, the confession is a distant memory, and you are six months into the relationship wondering why he left his wet towel on the bed again?
Enter Soredemo Ashita mo Kareshi ga Ii (それでも明日も彼子がいい)—loosely translated as "Even So, I Want a Boyfriend Tomorrow Too." Serialized in Kiss magazine (Kodansha), this hidden gem by author Nanao offers a refreshing, painfully realistic, and deeply satisfying dive into the complexities of an adult relationship.
If you are tired of stories that end at the altar and want to read about the messy, awkward, and beautiful reality of staying in love, this is your next obsession.
Genre: Psychological Drama, Romance, Time Loop Author: Akane Ogaki Status: Completed
1. Breaking Bad Cycles The core theme is Kanami’s journey to understand what a healthy relationship looks like. The title itself—Even So, I Still Want a Boyfriend Tomorrow—highlights her tenacity (or perhaps desperation) to find love despite repeated failures. The manga explores whether she can break her habit of falling for "scum" and recognize genuine affection.
2. "Fake Dating" Trope The story utilizes the popular "fake relationship" trope. This allows the characters to interact closely without the pressure of "real" feelings at the start. It provides a safe space for Kanami to learn how to date someone properly, transitioning from a chaotic crush to a stable partnership.
3. Emotional Growth Unlike many romances that focus solely on the drama of getting together, this manga focuses heavily on why the characters love the way they do. Higuchi helps Kanami realize her worth, while Kanami helps Higuchi open up emotionally.
In the vast ecosystem of shojo and josei manga, the pursuit of love is often framed as a grand, singular quest: find “The One,” overcome obstacles, and ride into the sunset of coupled bliss. However, Yuuki Hazime’s Soredemo Ashita mo Kareshi ga Ii (“I Want a Boyfriend Even Tomorrow”) offers a bracingly different, more introspective, and often painfully honest take. It is not a story about finding the perfect partner, but about the restless, sometimes irrational, human desire to simply have a partner, even when the current one is, by all accounts, perfectly fine.
At its core, the manga is a character study of its protagonist, Rinko, a young working woman who finds herself in a comfortable but stagnant relationship with her dependable, handsome, yet emotionally reserved boyfriend, Atsushi. The story’s genius lies in its refusal to villainize either party. Atsushi is not a bad boyfriend; he is reliable, does not cheat, and provides stability. The conflict is entirely internal to Rinko. She is plagued not by dramatic betrayal, but by a quiet, creeping dissatisfaction—a sense that something is missing. She wants excitement, spontaneity, and a palpable feeling of being “chosen” every single day. She wants the feeling of a boyfriend more than she might want Atsushi himself. manga soredemo ashita mo kareshi ga ii
This is where the manga’s title becomes a crucial piece of its philosophical framework. “I want a boyfriend even tomorrow” is a demand for the continuation of a romantic state, not a specific person. It speaks to a modern anxiety: the fear of being alone, or perhaps more precisely, the fear of being perceived as unpartnered in a society that often equates romantic success with personal worth. Rinko’s journey is less about finding love and more about interrogating her own needs. Does she want Atsushi, or does she want the status, the comfort, and the daily validation that comes with having “a boyfriend”?
The narrative skillfully navigates this ambiguity by introducing a catalyst in the form of a charismatic and flirtatious rival, who represents the very passion Rinko feels is lacking. This is not a simple love triangle where one man is clearly good and the other evil. Instead, the rival serves as a mirror, forcing Rinko and the reader to question what “better” really means. Is the thrill of the chase and the volatility of passion superior to the quiet security of a long-term partner? The manga refuses to provide an easy answer, instead dwelling in the messy gray area of adult relationships.
Artistically, Yuuki Hazime’s clean, expressive lines enhance this psychological depth. The panels often linger on Rinko’s conflicted expressions, her moments of solitude, and the subtle physical distance between her and Atsushi on a park bench or a sofa. The lack of dramatic, flowery backgrounds during their quiet moments underscores the emotional emptiness she feels. In contrast, scenes with the rival are drawn with more dynamic angles and energy, visually representing the allure of the unknown. The art masterfully conveys the central tension: the visual boredom of stability versus the thrilling chaos of possibility.
Ultimately, Soredemo Ashita mo Kareshi ga Ii is a deeply mature work because it refuses to be a wish-fulfillment fantasy. It is a critique of a certain kind of modern love—one fueled by convenience, social expectation, and a fear of loneliness. Rinko is not a purely sympathetic heroine; she is indecisive, sometimes selfish, and her desires are contradictory. She wants the comfort of a steady relationship but the thrill of a new one. She wants tomorrow’s boyfriend without losing yesterday’s security.
In its poignant, unresolved tension, the manga suggests that the real challenge is not finding a boyfriend, but understanding why you want one so badly. It asks the uncomfortable question: If you cannot be content with a good partner today, will having a different one tomorrow truly make you happy? Or are you simply chasing the feeling of wanting, forever postponing the quiet, difficult work of genuine intimacy? For any reader who has ever looked at a perfectly good relationship and felt a pang of inexplicable restlessness, Soredemo Ashita mo Kareshi ga Ii is an uncomfortable, brilliant, and ultimately compassionate reflection of their own heart.
Soredemo Ashita mo Kareshi ga Ii (それでも明日も彼氏がいい) is a contemporary Japanese manga series written and illustrated by Kei Miike. Classified under the drama and romance genres, the series began its serialization on the YanMaga Web platform on 9 November 2024. Publication Details
The series is published by Kodansha and has seen steady volume releases in Japan: Volume 1: Released on 19 February 2025. Volume 2: Released on 19 June 2025. Volume 3: Released on 19 October 2025. Key Characteristics
Creator: Kei Miike is the sole artist and writer for the series.
Platform: Originally serialized on YanMaga Web, which typically hosts content for the seinen demographic (young adult men), though the series focuses heavily on romantic drama.
Alternative Title: Sometimes listed or translated as Soredemo Asu mo Kareshi ga Ii.
The title roughly translates to "Even so, I want him to be my boyfriend tomorrow too," suggesting a narrative focused on the complexities, challenges, and emotional persistence within a romantic relationship. "Soredemo Ashita mo Kareshi ga Ii" (also known
Soredemo Ashita mo Kareshi ga Ii (Even So, I Still Want to be Your Boyfriend Tomorrow) is a provocative romance manga written and illustrated by Miike Kei, published by Kodansha. It centers on a "shocking" and "immoral" premise that explores the boundaries of a modern adult relationship. Plot Overview
The story follows Kouhei and Mako, a couple who are deeply in love but face a significant hurdle in their relationship: Mako is extremely reluctant and unwilling when it comes to intimacy.
The plot takes a drastic turn when Mako suggests an unconventional solution to their sexual mismatch: partner swapping with another couple. This proposal serves as the catalyst for the narrative, forcing the characters to navigate themes of loyalty, desire, and the emotional complexities of non-traditional arrangements. Key Themes & Analysis
Immorality and Taboo: The series is frequently described as a work that "opens a new door of immorality," leaning heavily into the drama and psychological tension that arises from partner swapping.
Relationship Dynamics: It examines the friction between emotional love and physical intimacy, specifically how a "perfect" couple handles a fundamental incompatibility.
Adult Narrative: Unlike typical school-based romance, this series targets an adult audience, focusing on complex interpersonal dilemmas and the consequences of experimental lifestyle choices. Art and Publication
Illustrator: Miike Kei is known for a clean, modern art style that effectively captures character emotions during high-tension dramatic moments.
Volumes: The series has several volumes available (up to Volume 4 and beyond), with physical copies often sold through retailers like Manga Republic and YesAsia.
Publisher: Originally serialized in Kodansha's Young Magazine KC Special. Critical Reception
Early reader feedback indicates the manga is polarizing due to its subject matter. While some appreciate its willingness to tackle complex, adult-oriented topics of "immorality," others find the premise of partner swapping to be a difficult hurdle for a traditional romance story.
Soredemo Ashita mo Kareshi ga Ii (Even So, I Still Want to Be Your Boyfriend Tomorrow) is a psychological drama and erotica manga by Kei Miike, serialized on YanMaga Web starting in late 2024. It explores complex themes of intimacy, insecurity, and non-traditional relationship dynamics within a Seinen demographic. 📖 Series Overview [Feature] Toxic Love & Time Loops: Why You
Alternative Title: Even So, I Still Want to Be Your Boyfriend Tomorrow
Author: Kei Miike (also known for Karami Zakari: Boku no Honto to Kimi no Uso) Genre: Drama, Romance, Erotica, Suspense
Publication: Ongoing; first physical volumes released in early 2025 📝 Plot Summary
The story follows Kouhei and Mako, a couple who appear to be deeply in love. However, their relationship is strained by Mako's persistent reluctance to engage in physical intimacy with Kouhei.
Finding Comfort in the Familiar: A Deep Dive into Soredemo Ashita mo Kareshi ga Ii
In the vast landscape of shoujo and josei manga, there is a specific sub-genre that captures the "comfortable" side of romance—the kind that isn't about high-stakes drama or supernatural twists, but about the quiet, often messy reality of modern dating. Soredemo Ashita mo Kareshi ga Ii (roughly translated as Still, Tomorrow I Want My Boyfriend) is a standout example of this "slice-of-romance" style.
If you’re looking for a series that feels like a conversation with a close friend over coffee, here is everything you need to know about this charming manga. The Premise: Relatable Romance
The story follows the internal and external lives of its protagonists as they navigate the ups and downs of a committed relationship. Unlike "first-love" stories that end at the first kiss, this manga focuses on the "after"—the daily maintenance of love, the small misunderstandings, and the reaffirmation of feelings that happens when the honeymoon phase transitions into real life.
The title itself sets the tone. It suggests that even after a bad day, a silly argument, or a moment of doubt, the conclusion remains the same: "Still, tomorrow, I want my boyfriend." Why Readers Love It
What makes Soredemo Ashita mo Kareshi ga Ii resonate so strongly with its audience? It boils down to three main elements:
The story starts after the honeymoon phase has cracked. We see Mikoto noticing Kikuchi’s lack of reaction during a crisis. We see her frustration when Kaz assumes his loud love is enough to override her need for stability. This is not a "falling in love" story; it is a "staying in love (or leaving)" story.