Les Visiteurs 2 Les Couloirs Du Temps Xerxes [best] May 2026

It seems you might be combining two different things! In Les Visiteurs 2: Les Couloirs du temps (1998), there isn't actually a character named "Xerxes."

You might be thinking of Xerxes from the movie 300 or perhaps a different historical epic. In the Les Visiteurs sequel, the plot focuses on Godefroy de Montmirail (Jean Reno) returning to the 20th century because his squire, Jacquouille la Fripouille (Christian Clavier), stole sacred jewels from the Duke of Pouille, causing the "corridors of time" to stay open.

If you're looking for a quick guide to the movie's key characters and facts:

Plot: Godefroy must retrieve the stolen jewels—specifically the "dentelle de Sainte Rolande"—to close the temporal corridors and finally marry Frénégonde. Main Cast:

Christian Clavier plays multiple roles, including Jacquouille and his descendant Jacquart. Jean Reno returns as Count Godefroy de Montmirail.

Muriel Robin replaced Valérie Lemercier in the dual role of Frénégonde and Béatrice.

Filming Location: The medieval scenes were filmed at the Château de Beynac in France.

Reception: While a huge box office hit in France, many fans felt it was more "hysteric" and repetitive than the original 1993 film. The Visitors II: The Corridors of Time (1998) - IMDb

In the French comedy sequel Les Visiteurs 2: Les couloirs du temps is the name of the dog belonging to the character Béatrice de Montmirail (played by Muriel Robin). Character Feature: Xerxès

: A small dog (often identified as a Yorkshire Terrier) that provides several comedic moments in the modern-day 1990s setting of the film. les visiteurs 2 les couloirs du temps xerxes

is famously involved in the "dinner scene" where the medieval characters, including Godefroy de Montmirail (Jean Reno) and Jacquouille la Fripouille (Christian Clavier), cause chaos in a modern household. Interactions

: He is frequently seen with Béatrice, who treats him with the typical over-affectionate care of a modern pet owner, which contrasts sharply with the medieval characters' view of animals as either pests or tools. Rotten Tomatoes Movie Context

: The film follows Godefroy as he must return to the 20th century to recover sacred jewels and a relic stolen by Jacquouille, which are keeping the "corridors of time" open and causing his future father-in-law to fall ill. Streaming & Info

: You can find more details about the cast and crew on platforms like in the film or specific famous quotes from that dinner scene? The Corridors of Time: The Visitors II - Rotten Tomatoes

in the context of the 1998 French comedy Les Visiteurs 2: Les Couloirs du temps

refers to a memorable, albeit brief, comedic motif rather than a central character. In this sequel, the plot follows the medieval knight Godefroy de Montmirail

(Jean Reno) as he returns to the 20th century to recover stolen family jewels and sacred relics that are preventing the "corridors of time" from closing. The Role of "Xerxes" in the Film

While Xerxes is not a primary protagonist like Godefroy or his squire Jacquouille la Fripouille

(Christian Clavier), the name appears as part of the film's eccentric character naming and historical parody: Comedic Background: It seems you might be combining two different things

The film is known for its "over-the-top" and "gross humor," often using names that sound ancient or regal to contrast with the modern setting. The Character: Xerxes is a Great Dane dog belonging to the character Cora de Montmirail

(played by Claire Nadeau), the wife of Godefroy's descendant. Narrative Function:

The dog's presence adds to the chaotic atmosphere of the "modern" Montmirail household. In the frantic style of director Jean-Marie Poiré, the animals in the film often serve as catalysts for the medieval characters' confusion regarding 20th-century life. Les Couloirs du temps The movie serves as a direct sequel to the 1993 hit Les Visiteurs . It is characterized by: Time Travel Blunders:

The "senile wizard" Eusæbius (Pierre Vial) continues to make mistakes with potions, leading characters to jump between the Middle Ages, the 1990s, and eventually the French Revolution. The Conflict: Because Jacquouille stole the Reliquary of Sainte-Rolande

, the magical corridors remain open, causing physical decay (like a foul smell) in the present and preventing Godefroy from marrying his betrothed, Frénégonde. Are you interested in a deeper analysis of the historical parodies used in the movie, or perhaps more information on the characters' descendants The Visitors II: The Corridors of Time (1998) - IMDb

Why Xerxes Works (And Why He’s Essential)

Les Visiteurs 2 could have been a lazy rehash. Instead, Xerxes elevates it by introducing a new kind of anachronistic collision: not just “old vs. new,” but one past vs. another past vs. the present.

• He expands the mythology: The “corridors of time” are now dangerous, unstable routes that can be misused by anyone. Xerxes proves that time travel isn’t just for noble knights—it’s for every madman with a grudge.
• He provides a real antagonist: The first film had no villain—just confusion. The second film has Xerxes, who is genuinely threatening. He actually tries to kill people. This raises the stakes.
• He is a satire of ideological rigidity: In 1998 (and still today), Xerxes’ fanaticism parodies how political extremists would fare in a modern consumer society. He cannot adapt because his worldview has no room for nuance. It’s a sharp, timeless critique hiding inside a slapstick comedy.

Conclusion : Un voyage dans le temps qui mérite le détour

Les Visiteurs 2 : Les Couloirs du Temps n’est pas seulement une suite. C’est une expérience de fusion entre la comédie médiévale, le film de guerre et le burlesque perse.

Xerxes, par son innocence et son décalage absolu, incarne l’esprit du film : se moquer des époques, des codes et des hiérarchies. Là où Godefroy porte le poids de l’Histoire, Xerxes porte simplement un plateau de fruits secs. Et c’est probablement pour cela que, 25 ans après sa sortie, on rit encore en voyant Franck Dubosc traverser les couloirs du temps, la bouche ouverte, sans rien comprendre à ce qui lui arrive.

En conclusion : Si vous cherchez un film d’histoire sérieux, passez votre chemin. Si vous cherchez une heure quarante de pure connerie française assumée, avec un esclave perse désopilant, une Jean Reno qui joue du bazooka et une Christian Clavier qui parle en "berk berk", alors n’hésitez plus. Par la hache de Montmirail, visionnez Les Visiteurs 2 ! Why Xerxes Works (And Why He’s Essential) Les

Mot-clé principal : Les Visiteurs 2 Les Couloirs du Temps Xerxes.
Longueur : Environ 1100 mots.

In the movie Les Visiteurs 2: Les Couloirs du Temps (1998), there is no major character named "Xerxes." It is likely you are thinking of a different film or a character with a similar-sounding name. 🎭 Potential Confusion: Rodrigo Santoro as Xerxes The most famous cinematic portrayal of Xerxes is by actor Rodrigo Santoro in the movie (2006) and its sequel 300: Rise of an Empire

(2014). He plays the towering, gold-clad Persian "God-King." 🏰 "Les Visiteurs 2" Key Characters

If you are looking for a specific character from Les Visiteurs 2, here are the primary ones they might be confused with: Jacquouille la Fripouille / Jacques-Henri Jacquart : The main servant and his modern-day descendant, played by Christian Clavier . Godefroy de Montmirail : The knight protagonist, played by . Prosper le Purineur

: An ancestor of Jacquouille found in the Middle Ages (also played by Clavier). Jean-Pierre : The dentist husband of Béatrice, played by Christian Bujeau , who accidentally travels back to the Middle Ages. Maître Valoche : The auctioneer who handles the stolen jewels. 📜 Movie Summary

The Plot: Godefroy must return to the 20th century because Jacquouille stole the Duke of Pouille's jewels, which keeps the "corridors of time" open and makes the Duke ill.

The Ending: Due to a mistake in the time-travel potion, the characters are accidentally sent to the French Revolution (1793) instead of their own time.

If you can describe what the character looked like or what they did in the movie, I can help you identify who you are looking for. Was it a specific villain or a minor character at the wedding?

The Climactic Convergence: Three Eras Collide

The film’s finale does something remarkable for a 90s comedy: it stages a three-way temporal battle. In the castle of Montmirail (the Middle Ages), you have:

• Godefroy trying to save his lineage.
• Jacquard (the modern descendant) trying to understand why a knight is fighting a cat.
• Xerxes' elite Immortals (who have come through a broken corridor) trying to capture the crystal.

And then, Xerxes himself arrives. He steps out of a swirling vortex, looks at the medieval castle, looks at the modern television crew accidentally filming the event, and declares in Persian-accented French: "So... this is the future. It is... noisy. I will burn it."

This line encapsulates the film’s genius. Xerxes is not evil; he is simply a man of his time (which is a different time) applying his logic (conquest and fire) to a world that has no category for him. Godefroy ultimately defeats him not with a sword, but with a lesson in temporal mechanics: he shoves the crystal into Xerxes' crown, causing the king to be violently sucked back to 467 B.C., where he arrives mid-feast, confused and wearing a 20th-century sneaker on one foot.

Key Scenes That Define Xerxes

• The 1793 Prologue: We meet Xerxes leading a peasant mob. He is covered in dirt, screaming “À la guillotine!” with religious fervor. When his own crystal activates, he doesn’t hesitate—he dives into the time corridor mid-rage. It establishes him as a force of nature, not a planner.
• The Supermarket Guillotine Attempt: The comic peak. Xerxes, having found a baguette (which he mistakes for a weapon of the aristocracy), chases a terrified store manager. He builds a mock guillotine from a shopping cart and a display shelf. The sight of a man from 1793 screaming “For the Republic!” in a frozen-food aisle is surreal genius.
• The Final Confrontation (1123): Xerxes follows Godefroy back to the Middle Ages, believing he will incite the serfs to rise up. Instead, he is immediately horrified to discover that his revolution is 600 years in the future, that “liberté, égalité, fraternité” means nothing to a feudal lord, and that he is just another madman. His defeat—tricked into his own time corridor and sent into a volcanic era—is poetic justice.