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Laura Fygi - The Best Is Yet To Come -flac- -2011- -

Released in 2011, The Best Is Yet to Come is the 12th studio album by jazz vocalist Laura Fygi. This record marks a significant milestone in her career, celebrating her 20th anniversary as a solo artist and serving as her first-ever recorded session with a full-sized big band. Album Overview

The album is a collection of jazz standards popularized by legends such as Frank Sinatra, Tony Bennett, and her primary idol, Julie London. Recorded in the Netherlands and released under labels like T2 Entertainment, the project fulfills a long-held wish for Fygi to record in a big-band setting after years of performing live with such ensembles.

Musical Style: Traditional big-band jazz and vocal pop, characterized by lush arrangements that draw comparisons to the classic 1950s and '60s works of Peggy Lee.

Production: Co-arranged and produced by Jan Menu and Johan Plomp, two of Fygi’s longtime collaborators.

Audio Quality: While originally released on CD, high-fidelity versions (such as FLAC) highlight the detailed instrumentation of the big band and Fygi's signature "husky" vocal texture.

The album features 13 tracks, including a unique Mandarin rendition of "Rose, Rose, I Love You". Song Title The Best Is Yet To Come Cy Coleman / Carolyn Leigh Smile Charlie Chaplin Too Darn Hot Cole Porter I've Got A Crush On You George & Ira Gershwin This Can't Be Love Rodgers & Hart Cheek To Cheek Irving Berlin Fever Cooley / Davenport That Old Black Magic Arlen / Mercer It's Easy To Remember Rodgers & Hart You and The Night and The Music Dietz / Schwartz Old Devil Moon Harburg / Lane The Good Life Sacha Distel / Jack Reardon Rose, Rose, I Love You Wilfrid Thomas / Chen Gexin Critical Reception

Critics have praised the album for its "smoldering intensity" and Fygi's sharp interpretive skills. Reviewers from JazzTimes noted that the big-band arrangements perfectly complement her sophisticated, seductive vocal style, making it a standout entry in her extensive discography. Laura Fygi: The Best Is Yet to Come - JazzTimes

Laura Fygi: The Best Is Yet to Come (2011) Released in February 2011, The Best Is Yet to Come serves as a career milestone for Dutch jazz vocalist Laura Fygi. It commemorates her 20th anniversary as a solo artist and represents her first full-length recording with a traditional big band setup. 🎼 Artistic Direction and Production

For this 12th studio album, Fygi collaborated with co-arrangers and producers Jan Menu and Johan Plomp, both long-time members of her musical circle. The production choices were designed to evoke the classic "big band" era of the 1950s and 60s, drawing stylistic inspiration from icons like Peggy Lee, Frank Sinatra, and Julie London.

Big Band Setting: The album features a full-sized orchestra, shifting Fygi’s sound from her typical intimate jazz or Latin-infused arrangements to a more expansive, powerful swing environment.

Narrative Approach: Fygi describes herself as a "storyteller," choosing standards based on their emotional resonance and narrative depth. 🎹 Tracklist Highlights

The album comprises 12 tracks (13 in some international versions) primarily sourced from the Great American Songbook.

"The Best Is Yet to Come": The swinging title track sets a confident, upbeat tone for the collection.

"Smile": Reimagined with a "grey," more melancholic undertone rather than the usual optimistic delivery.

"Fever": A distinct reimagining that escalates from a "slow burn" to a high-energy orchestral climax.

"Too Darn Hot": Features a brass-heavy arrangement inspired by the high-velocity drumming of Buddy Rich.

"The Good Life": A slow-building ballad that evolves into an impassioned vocal vamp. 💿 High-Fidelity Experience (FLAC)

Digital editions of this album are frequently sought in FLAC (Free Lossless Audio Codec) format by audiophiles to preserve the intricate details of the big band orchestration. HiRes FLAC audio - TIDAL Support Laura Fygi - The Best Is Yet To Come -FLAC- -2011-

Laura Fygi's 2011 album "The Best Is Yet To Come" is a masterful blend of jazz, pop, and world music influences, showcasing the Dutch singer's incredible vocal range and emotional depth. The album, which features 12 tracks, including the iconic title track, is a testament to Fygi's enduring talent and dedication to her craft.

From the opening notes of the album's first track, "The Best Is Yet To Come," it's clear that Fygi is on a mission to deliver a memorable and impactful listening experience. Her voice, which effortlessly glides between sultry and soulful, is perfectly suited to the album's eclectic mix of styles. Whether she's interpreting a timeless standard or delivering an original composition, Fygi's vocal delivery is always characterized by its remarkable expressiveness and nuance.

Throughout the album, Fygi draws inspiration from a wide range of sources, incorporating elements of jazz, blues, and world music into her songs. The result is a richly textured sound that is both timeless and contemporary. Tracks like "Rain" and "Feelin' Alright" showcase Fygi's ability to craft memorable melodies and hooks, while songs like "Lover's Prayer" and "Clair de Lune" demonstrate her impressive vocal range and control.

One of the standout features of "The Best Is Yet To Come" is Fygi's incredible interpretive ability. Whether she's singing a familiar standard or an original composition, she always seems to find a way to make the lyrics her own. Her vocals on tracks like "The Nearness of You" and "It Don't Mean a Thing" are particularly noteworthy, as she brings a deep understanding and emotional resonance to these timeless classics.

The album's production is also noteworthy, with Fygi working with a range of talented musicians and producers to create a rich and immersive sound. From the lush orchestral arrangements on "Lover's Prayer" to the stripped-down intimacy of "Rain," the album's sonic landscape is varied and engaging.

Overall, "The Best Is Yet To Come" is a truly exceptional album that showcases Laura Fygi's remarkable talent and artistry. With its eclectic mix of styles, memorable melodies, and impressive vocal performances, it's an album that will appeal to fans of jazz, pop, and world music alike. As the title track suggests, the best is indeed yet to come from this gifted artist, but for now, this album is a must-listen for anyone who appreciates great music.

Musically, the album can be characterized by:

The essay can be wrapped up with this thought:

Laura Fygi's "The Best Is Yet To Come" stands as a testament to her artistry and musical prowess. A must-listen for fans of jazz and beyond.

Laura Fygi: The Best Is Yet to Come (2011) The 2011 album The Best Is Yet to Come represents a landmark moment in the career of Dutch jazz vocalist Laura Fygi, marking the 20th anniversary of her solo debut. Known for her sultry, "velvety" voice and multicultural heritage, Fygi transitioned from a 1980s pop career with the group Centerfold to become a globally recognized jazz icon. This release stands out as her first full-length recording backed by a traditional big band, fulfilling a long-held artistic ambition. Artistic Direction and Production

Produced and arranged by long-time collaborators Jan Menu and Johan Plomp, the album features a lush, expansive sound that pays homage to the mid-century swing era. Fygi’s approach on this record has been compared to the understated elegance of Julie London and the sophisticated swing of Peggy Lee.

Big Band Setting: The arrangements utilize a full-sized orchestra, providing a "scorching" backdrop for standards that Fygi had previously performed live but never captured in a studio big band setting.

Storytelling Approach: Fygi identifies as a "storyteller," choosing tracks from the Great American Songbook that allow her to convey deep emotional narratives, such as the heartbreak in "It’s Easy to Remember". Key Tracks and Highlights

The album's tracklist consists primarily of jazz and pop standards made famous by legends like Frank Sinatra and Tony Bennett.

"The Best Is Yet to Come": The title track sets an optimistic tone, showcasing the "unbridled enthusiasm" and "passion" of the studio sessions.

"Too Darn Hot": A high-energy performance supported by a brass-heavy drum line reminiscent of Buddy Rich.

"Smile": A softer, more contemplative interpretation that leans into a "clouded grey" atmosphere rather than pure optimism. Released in 2011, The Best Is Yet to

"Rose, Rose, I Love You": A notable inclusion featuring Fygi singing in Mandarin, reflecting her significant success and popularity in the Asian market. Technical Context (FLAC/Audiophile)

For enthusiasts seeking the -FLAC- (Free Lossless Audio Codec) version, this album is a prime candidate for high-fidelity listening. Critics have praised the "top-notch" musicianship, specifically highlighting individual solos like Hans Vroomans’ piano on "Old Devil Moon" and Maarten van der Grinten’s guitar on "That Old Black Magic". The lossless format preserves the intricate dynamics of the big band arrangements and the subtle nuances of Fygi's intimate vocal delivery. The Best Is Yet to Come: Amazon.co.uk: CDs & Vinyl

Laura Fygi - The Best Is Yet To Come (FLAC, 2011)

Implementation Notes (Frontend & Backend)

Where to Find This FLAC Release Legally

Given the specificity of the keyword, many users are likely searching for this release on torrent or file-sharing sites. However, as an advocate for artists and sound engineers, it is important to note that legitimate FLAC copies of The Best Is Yet To Come exist.

As of 2025, the album is available in lossless quality on:

When downloading, verify the “source” metadata. A true -2011- FLAC will have original release date tags and, ideally, a scan of the CD booklet or digital liner notes. Beware of later “remastered” versions from 2015 onward, which may apply additional dynamic compression.

Reviews and Reception

The album received positive reviews for its smooth and soulful renditions of timeless classics. Critics praised Laura Fygi's vocal performance and the album's production quality.

Technical Details

Album Review: Laura Fygi – The Best Is Yet To Come (2011 FLAC Release)

5. Market Context & Significance

6. Conclusion

The Best Is Yet To Come (2011) in FLAC format is a high-fidelity representation of Laura Fygi’s sophisticated vocal jazz style. For archivists and audiophiles, this lossless version is the definitive digital edition, preserving every nuance of the original mastering. Casual listeners may find MP3 sufficient, but FLAC unlocks the album’s full sonic warmth—making it a valuable asset in any serious jazz or vocal pop collection.

Recommendation: If acquiring this FLAC release, verify the source (official download, CD rip with logs, or a reputable HD store) to ensure it is not a transcode from a lossy source. For playback, use a DAC and quality headphones/speakers to appreciate the lossless benefits fully.

End of Report

Here’s a suggested text suitable for a catalog, review, or personal music library note regarding Laura Fygi - The Best Is Yet To Come (FLAC, 2011):

Laura Fygi – The Best Is Yet To Come (2011, FLAC)

Dutch jazz vocalist Laura Fygi delivers a warm, sophisticated listening experience with her 2011 album The Best Is Yet To Come. True to its title, the record radiates optimism and timeless elegance, blending classic jazz standards with carefully chosen pop and bossa nova influences.

This FLAC version preserves the full richness of Fygi’s contralto voice—velvety, controlled, and intimately expressive. Backed by lush, unobtrusive arrangements, tracks like the title song “The Best Is Yet To Come,” “Bésame Mucho,” and “I Only Have Eyes for You” benefit from the lossless format’s clarity, revealing subtle instrumental detail (warm double bass, soft brushwork, delicate piano phrasing) that might be lost in compressed formats.

For audiophiles and jazz-pop enthusiasts, this 2011 release marks a confident, mature chapter in Fygi’s career—proof that even when revisiting classics, the best can indeed be yet to come.

Recommended for: evening listening, vocal jazz collections, FLAC-based high-fidelity setups.

Headline: Sophistication in High Fidelity: Revisiting Laura Fygi’s 2011 Masterpiece, The Best Is Yet To Come Eclectic mix of styles (jazz, pop, world music)

In the vast landscape of audiophile jazz and pop, few names command as much respect for sheer sonic elegance as Laura Fygi. For decades, the Dutch singer has been a benchmark for vocal clarity and stylistic grace. But in 2011, she released a project that served as both a summation of her career and a masterclass in audio engineering. Titled The Best Is Yet To Come, the album remains a coveted item for collectors, particularly those hunting the lossless FLAC version that does justice to its pristine production.

A Dutch Diva’s American Heart

Laura Fygi occupies a unique space in music. Born in Amsterdam to a Dutch father and an Egyptian mother, she rose to prominence in the 1980s with the girl group Centerfold before pivoting to a solo career defined by jazz standards and sophisticated pop. By 2011, she was already an icon in the Asian market (particularly in Japan and China) and a darling of the hi-fi community in Europe.

The Best Is Yet To Come was not just another album in her discography; it was a statement. Released during a period where the music industry was aggressively pivoting to compressed, digital streaming, this album was a love letter to the golden age of recording. It was engineered for the discerning ear—specifically, the audiophile.

The Audiophile’s Dream: Why FLAC Matters Here

The specific interest in the FLAC (Free Lossless Audio Codec) version of this 2011 release is not trivial. To listen to this album in MP3 format is to see a masterpiece painting through a smudged window. Fygi’s voice is famously intimate; she possesses a technique that allows her to whisper and belt with equal clarity, creating a "presence" in the recording studio that engineers strive to capture.

In the FLAC format, the 2011 release offers a dynamic range that breathes. The stand-up bass doesn't just sound like a note; it sounds like wood and vibrating strings. The brushwork on the snare drum has texture. When Fygi sings the title track, a classic associated with Frank Sinatra, the lossless audio captures the air in the room and the subtle resonance of her vocal cords. For audiophiles, this album is often used as a "reference track" to test speaker quality—specifically the separation of mid-range frequencies where the human voice lives.

The Song Selection: Familiar Yet Fresh

The tracklist of The Best Is Yet To Come reads like a primer on the Great American Songbook, but Fygi approaches these standards with a European sense of cool.

She tackles "Come Fly With Me" with a lightness that contrasts Sinatra’s swinging bravado, offering a sense of invitation rather than command. On "Smile," the Charlie Chaplin classic, she strips away the orchestration to let the melody's inherent melancholy shine through.

However, the standout moment on the album—and arguably the reason it remains a staple in high-fidelity demo rooms—is her rendition of "That's Life." She reinvents the normally gritty, bluesy anthem into a sophisticated, upbeat bossa nova-influenced arrangement. It is a stroke of genius that only Fygi could pull off, proving that a song can be reimagined without losing its soul.

The 2011 Context

The year 2011 was an interesting time for Fygi. Having sold millions of records worldwide, she had the artistic freedom to record exactly what she wanted. This album felt like a passion project. It wasn't chasing trends; it was cementing a legacy. The production is lush but never crowded, allowing the "air" around the instruments to remain audible—a hallmark of quality jazz recording.

The Verdict

The Best Is Yet To Come stands as one of the pillars of Laura Fygi's extensive catalog. It represents the intersection of technical perfection and emotional storytelling. While the pop charts of 2011 were dominated by auto-tune and electronic beats, Fygi was preserving the art of natural acoustics.

For music lovers, finding the FLAC version of this album is akin to finding a rare vintage wine. It is an experience that demands you sit down, turn off the lights, and let the sound wash over you. It reminds us that in an era of disposable digital noise, true artistry—and the best listening experiences—are indeed yet to come.

Comparing Formats: CD, MP3, and FLAC

To fully appreciate why collectors search for Laura Fygi - The Best Is Yet To Come -FLAC- -2011-, consider this direct comparison:

| Aspect | CD (16/44.1 WAV) | 320kbps MP3 | FLAC (16/44.1 or 24/96) | |--------|------------------|-------------|--------------------------| | File size (approx.) | 500 MB | 100 MB | 400-800 MB | | Bitrate | 1,411 kbps | 320 kbps | Variable, up to ~1,200 kbps | | Preservation of studio nuances | Full | Partial (high frequencies filtered) | Full | | Ideal for… | Ripping to FLAC | Portable players, streaming | Archiving, hi-fi listening | | Fygi’s vocals on “Bésame Mucho” | Warm, detailed | Slightly sibilant or muffled | Velvet with palpable breath |

The FLAC version, when played through a DAC like a Chord or Topping, reveals that the 2011 master was engineered with care. The reverb on Fygi’s voice—particularly on “The Windmills of Your Mind”—is not a wash of noise but a distinct acoustic space.



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