The 2009 film Kisse Pyaar Karoon is a Bollywood comedy that explores the chaotic lives of three lifelong friends—Sid (Arshad Warsi), John (Aashish Chaudhary), and Amit (Yash Tonk).
The trio are struggling college graduates living together in Sid’s run-down bungalow. To make ends meet, they form a "Punjabi Rock Band" with the help of a local gangster, Munnabhai (Ashish Vidyarthi), who treats them like sons.
The central conflict begins with John, who is deeply in love with his classmate Natasha (Arti Chabria) but never finds the courage to tell her before she leaves for a world tour. John falls into a deep depression, which gets the group into trouble during a wedding performance.
To help John move on, his friends introduce him to a woman named Sheetal (Udita Goswami). John quickly falls in love and even introduces her to his wealthy father, which leads to a falling out over the family business. However, Sid and Amit soon discover that Sheetal is not who she seems:
Manipulative Intent: Sheetal plans to entice John and marry him solely to usurp his wealth.
The Divide: A skilled martial artist, Sheetal becomes extremely possessive, alienating John from Sid and Amit.
Realizing John is being played, Sid and Amit take extreme measures to "save" their friend, including abducting Sheetal to keep her away from him. The story culminates in a series of comedic misunderstandings as John believes his friends are culprits in her "death," unaware of her true motives. Key Characters
Sid (Arshad Warsi): One of the core friends who tries to navigate the group's financial and romantic mess.
John (Aashish Chaudhary): The sensitive friend who becomes the target of Sheetal's schemes.
Amit (Yash Tonk): The third member of the trio and part of the wedding band.
Sheetal (Udita Goswami): The main antagonist who tries to drive a wedge between the friends for money.
Released on February 27, 2009, Kisse Pyaar Karoon is a Bollywood comedy directed by Ajay Chandok that explores the chaotic lives of three inseparable friends. Often described as a unofficial remake of the Hollywood film Saving Silverman, it attempts to blend buddy-comedy tropes with the slapstick humor characteristic of late-2000s Indian cinema. The Narrative Core: A Trio in Trouble
The story follows three college friends—Sid (Arshad Warsi), John (Aashish Chaudhary), and Amit (Yash Tonk)—who live together in a run-down bungalow. The plot is driven by John’s romantic woes. After failing to confess his love to his classmate Natasha (Aarti Chhabria) before she leaves the country, John falls into a deep depression.
Desperate to help their friend, Sid and Amit take extreme measures. Their efforts lead John to Sheetal (Udita Goswami), whom he eventually falls for. However, the comedy turns into a rescue mission when Sid and Amit realize Sheetal is a hyper-possessive, martial-arts expert who intends to alienate John from his friends. This leads to a convoluted climax involving a "fake" kidnapping by the friends to "save" John from his own engagement. Production and Reception
A Delayed Release: The film faced significant production hurdles, reportedly intended for a 2005 release but eventually hitting theaters four years later in 2009.
Ensemble Cast: Beyond the lead trio, the film features veteran actors like Ashish Vidyarthi as the gangster "Munna Bhai" and Shakti Kapoor.
Critical Backlash: At the time of its release, the film was largely panned by critics. Reviewers from Hindustan Times called it a "cinematic outrage," criticizing its reliance on "idiotic" gags and crude humor.
Music: The soundtrack was composed by Daboo Malik, with tracks like "Aaiye Re Aaiye" attempting to capture the "Punjabi band" theme of the protagonists. Legacy in Comedy
While Kisse Pyaar Karoon did not achieve the cult status of Arshad Warsi’s more famous works like Munna Bhai M.B.B.S., it remains a footnote in the era's trend of "buddy comedies". It is frequently confused with the 2015 Kapil Sharma starrer Kis Kisko Pyaar Karoon, though the two are entirely unrelated in plot and production.
Released on February 20, 2009, Kisse Pyaar Karoon is a Bollywood romantic comedy directed by Ajay Chandhok
[7]. The film attempts to capture the slapstick, youthful energy of the late 2000s, revolving around the misadventures of three close friends and their intertwined love lives. Core Narrative & Cast The story follows three best friends— (Arshad Warsi), (Aashish Chaudhary), and
(Shakti Kapoor)—who find themselves entangled in a web of romantic confusion [14, 23]. The Lead Trio : The film leans heavily on the comedic timing of Arshad Warsi Ashish Chaudhary
, who were frequently paired in comedies of this era (like the series) [14, 23]. The Heroines : The female leads include Aarti Chabria Udita Goswami Ashish Chaudhary 's real-life wife, Samita Bangargi
: The three men try to navigate their relationships while dealing with a series of misunderstandings and a subplot involving a local gangster, leading to a typical high-energy climax. Production Highlights : Ajay Chandhok, also known for films like Nehlle Pe Dehlla Chatur Singh Two Star Soundtrack : The music was composed by Daboo Malik kisse pyaar karoon 2009
, with tracks like "Aahista Aahista" attempting to gain traction in the romantic music charts of 2009. Cinematography : The film was largely shot in scenic locations like
, a popular choice for Bollywood comedies of that period to provide a "glossy" feel. Reception & Legacy
Upon its release, the film received mixed to negative reviews. While critics praised Arshad Warsi's
natural flair for comedy [19], the film was largely criticized for its dated script and lack of original humor. It is now remembered as part of the mid-tier "buddy comedy" wave that dominated Indian cinema during the late 2000s [15]. of the plot or more information on the musical soundtrack
Kisse Pyaar Karoon? (2009) is a Bollywood comedy film directed by Ajay Chandhok that explores the chaotic lives and camaraderie of three lifelong friends. Often noted for its resemblance to the Hollywood comedy Saving Silverman, the film blends slapstick humor with a "bromance" narrative, though it struggled to find a significant audience upon its release. Plot Overview and Synopsis
The story centers on three inseparable college pals—Sid (Arshad Warsi), John (Aashish Chaudhary), and Amit (Yash Tonk). After graduating and struggling to find traditional employment, the trio forms a Punjabi rock band with the backing of a local gangster, Munnabhai (Ashish Vidyarthi), who views them like family.
The conflict begins when John, who is recovering from a heartbreak involving his classmate Natasha (Arti Chabria), falls head-over-heels for Sheetal (Udita Goswami). While John believes he has found "the one," his friends soon realize that Sheetal is an expert in martial arts and extremely possessive. She begins to alienate John from his friends, leading Sid and Amit to hatch a desperate plan to "rescue" their friend from what they perceive as a gold-digging trap. Cast and Characters
The film featured a mix of established comedic actors and popular faces from the mid-2000s: Arshad Warsi as Sid: The charismatic leader of the group.
Aashish Chaudhary as John: The lovestruck friend at the center of the conflict.
Yash Tonk as Amit: The third member of the inseparable trio.
Udita Goswami as Sheetal: The formidable and possessive love interest. Arti Chabria as Natasha: John’s original college crush.
Ashish Vidyarthi as Munnabhai: The quirky gangster and band mentor.
Supporting Cast: Includes veteran actors like Shakti Kapoor and Shweta Menon. Soundtrack and Music
The film's music was composed by Raju Singh with lyrics by Shabbir Ahmed. While the soundtrack didn't become a chart-buster, it featured several notable playback singers:
"Kisse Pyaar Karoon": A high-energy title track performed by Shaan and Daboo Malik.
"Aahoon Aahoon": A dance number sung by Sonu Nigam and Sunidhi Chauhan.
"Sanam Sanam": A romantic duet featuring Shreya Ghoshal and Shaan. Reception and Box Office
Upon its release on February 27, 2009, the film received largely negative reviews from critics. Taran Adarsh of Bollywood Hungama gave it 1 out of 5 stars, describing the writing as outdated. Many reviewers criticized the film for being a loud and juvenile attempt at comedy that failed to capture the charm of the original Hollywood inspiration.
Financially, the film was a major disappointment. According to Box Office India, it was declared a "Disaster," earning a total nett gross of only approximately ₹78,00,000 against a much higher budget. Trivia and Comparisons
In the last two years (2024–2025), search volume for this specific keyword has spiked. Why? Nostalgia Marketing.
Gen Z has discovered "2000s indie sad boy music." Playlists titled "Songs that make you stare at the ceiling" or "Bollywood Emo" are going viral on Spotify. "Kisse Pyaar Karoon" is being rediscovered by 18-year-olds who weren't even born when it was released.
Furthermore, audio snippets are being used on Instagram Reels for "aura points" and "gym failure" edits. The slow, depressive build-up is perfect for video transitions.
Even if you haven't heard the song in years, the visuals of the Kisse Pyaar Karoon music video are likely burned into your memory. The quintessential 2009 music video aesthetic is on full display: The 2009 film Kisse Pyaar Karoon is a
The cinematography uses heavy diffusion filters and slow-motion close-ups of the singer’s anguished expressions. It is melodramatic, yes, but it works perfectly. For a generation that didn't need CGI-heavy spectacles, this simplicity felt intimate.
Despite the familiar tropes and a competent cast, Kisse Pyaar Karoon did not set the box office on fire.
Critics at the time panned the film for its lack of originality. By 2009, audiences had seen variations of this same plot dozens of times. The "boy lies to father to marry girl" formula was wearing thin, and without a massive superstar to carry the film, it struggled to find a unique identity.
Many reviews noted that while the film had sporadic moments of humor, the screenplay felt dragged out. The climax, in particular, was criticized for being too loud and chaotic, even by Bollywood comedy standards. It was one of those films that was termed a "time-pass" watch—enjoyable if you switched your brain off, but forgettable the moment you left the theater.
In the sprawling, often chaotic landscape of mid-2000s Bollywood, Kisse Pyaar Karoon (Whom Should I Love?) emerges not as a landmark of cinematic art, but as a fascinating, unintentional artifact of a specific cultural anxiety. Directed by Ajay Sharma, the film stars the quintessential action hero of the era, Ajay Devgn, in a convoluted comedic thriller about a man juggling three wives. While dismissed by critics for its illogical plot and regressive gender politics, a deeper excavation reveals the film as a potent, if grotesque, allegory for the modern Indian male’s crisis of identity. The film does not merely celebrate polygamy; it dissects the terror of emotional surplus, the bureaucratic nightmare of love in the age of globalization, and the ultimate failure of a patriarchal system that prioritizes performance over connection.
At its surface, Kisse Pyaar Karoon is a farce of mistaken identities and narrow escapes. Siddharth (Ajay Devgn) is a conman who, through a series of improbable circumstances, ends up married to three different women—the fiery, independent Shalini (Ameesha Patel), the traditional homemaker Nandini (Neha Dhupia), and the bubbly, modern Trisha (Karishma Tanna). The film’s engine is his frantic effort to prevent these worlds from colliding. However, this premise is more than just slapstick; it is a nightmare vision of the “multi-tasking” man. Siddharth is not a charming rake; he is a harried project manager of intimacy. His life is a logistical puzzle of alibis, calendars, and emotional compartmentalization.
This is where the film’s latent critique emerges. Siddharth’s predicament mirrors the condition of the urban, globalized Indian male. He is expected to be a provider, a lover, a friend, and a master of a high-speed, fragmented life. The three wives represent three irreconcilable demands placed upon the modern man: Shalini is the intellectual partner and equal, demanding emotional transparency; Nandini is the nurturing caregiver, representing tradition and stability; Trisha is the embodiment of consumerist desire—fun, spontaneous, and physically alluring. Siddharth cannot synthesize these archetypes into a single relationship because, the film suggests, the modern male psyche has been fractured by these contradictory expectations. He loves each woman for a different part of himself, yet he is whole in none of them.
The film’s most revealing element is its treatment of women. Despite the title’s question—“Whom Should I Love?”—the women are not given an equal voice. They are prizes, variables in Siddharth’s equation. Their anger is real, but it is ultimately neutralized for the sake of a “happy” ending. In a startling resolution, the wives do not reject Siddharth; instead, they agree to share him, their individual autonomy sacrificed for a superficial domestic harmony. This is not a celebration of polyamory; it is the ultimate fantasy of patriarchal control—a harem disguised as a family. The women become the currency of a masculine economy, their love a commodity to be managed, bartered, and finally, monopolized. The film thus reveals its deep-seated fear: what if women, with their newfound agency in the 2000s (careers, independence, choice), were to demand a singular, authentic love? Siddharth’s bigamy is a defense mechanism against that very possibility.
Furthermore, the film is a dark comedy about the performance of love. Siddharth is a conman by profession, and his marriages are simply his most elaborate cons. He performs the role of the ideal husband for each wife, tailoring his personality to fit her expectations. Love, in this universe, is not a spontaneous emotion but a set of rehearsed gestures and calculated responses. This performativity resonates with a post-liberalization India where relationships themselves have become branded and marketed. The “good husband” is a product, and Siddharth is a master salesman. The frantic energy of the film—the chase scenes, the close calls, the rapid-fire dialogues—mimics the breathless pace of a society that has no time for introspection. Siddharth never asks why he loves; he only asks whom he should love next, reducing existential inquiry to a multiple-choice question.
The climax, where the truth is revealed and the wives miraculously forgive him, is the film’s greatest failure and its most profound truth. It fails as realistic storytelling but succeeds as an allegory for the resilience of a broken system. Siddharth is not punished; he is rewarded. The system of masculine duplicity does not collapse; it adapts, absorbing dissent into a larger, more absurd harmony. The film’s final image of one man surrounded by three smiling women is less a picture of happiness than a portrait of a hostage crisis—the hostages have simply developed Stockholm syndrome.
In conclusion, Kisse Pyaar Karoon is a shallow, problematic film that unintentionally dives into deep waters. It is a cinematic Rorschach test: one can see a brainless comedy or a caustic critique of Indian masculinity. By taking its absurd premise to its logical, illogical extreme, the film exposes the hollowness at the core of a patriarchal fantasy. Siddharth gets everything he wants and ends up with nothing—a man surrounded by love who is incapable of truly loving anyone but himself. The question “Whom should I love?” is a distraction. The real question the film dares not ask, yet answers inadvertently, is: “In a world of fractured selves and commodified emotions, do I even know what love is?” And the film’s frantic, hollow answer is a resounding, terrified silence.
Kisse Pyaar Karoon? is a Bollywood romantic comedy released on January 16, 2009. Directed by Ajay Chandhok, the film is known for being a delayed release that finally hit theaters after spending several years "in the cans". Core Plot & Themes
The movie follows a lighthearted, comedic narrative centered around three friends:
Friendship and Rivalry: The plot revolves around three close friends—Amit, Harsh, and Gautam—who unexpectedly find themselves falling for the same woman, Sheetal.
Comedic Chaos: Much of the film’s runtime is dedicated to the humorous schemes and misunderstandings that arise as the trio competes for her affection.
Late Release Context: Critics often noted the film's dated feel, which was a result of its production starting in the mid-2000s but not concluding until 2009. Cast & Crew
The film featured a mix of established comedy actors and popular lead stars of that era: Amit Arshad Warsi Harsh Ashish Chaudhary Gautam Shweta Menon Sheetal Udita Goswami Supporting Shakti Kapoor, Ashish Vidyarthi Director: Ajay Chandhok Music: Daboo Malik
Choreography: Ganesh Acharya (credited with working on several films in this period including Ek Se Bure Do and Kisse Pyaar Karoon). Production & Reception
Delayed Arrival: The film's primary struggle was its long production delay. Lead actress Udita Goswami referred to it as a "box office dud" that released years after it was filmed.
Box Office Performance: It had a very limited release and struggled to compete with more contemporary films of 2009.
Critical View: Reviews generally described it as a "leave-your-brain-at-home" comedy, typical of the slapstick style popular in the early 2000s but considered repetitive by the time of its release. 💡 Key Point
Despite its poor performance, the film remains a footnote in Arshad Warsi's career, coming shortly after his massive success as "Circuit" in the Munna Bhai series.
If you tell me more about what you're looking for, I can help you with: A detailed review of the acting performances. A full synopsis of the comedy sequences. Sidhant Mehra (played by Aashish Chaudhary)
Information on the soundtrack and specific songs by Daboo Malik. Kisse Pyaar Karoon? (2009) - News - IMDb
Here’s a social media-style post for the 2009 film Kisse Pyaar Karoon:
💔 Kisse Pyaar Karoon (2009) – a thriller that asks the ultimate question: what happens when one man is trapped between three women, each with their own secrets?
Starring Ashmit Patel, Vida Samadzai, Bidita Bag, and Shernaz Patel, this suspense drama dives into deceit, betrayal, and obsession. A perfect late-night watch for those who love 2000s Bollywood thrillers with twists at every turn.
🎬 Directed by Ajay Sinha.
📅 Released in 2009.
Have you seen this one? Who do you think was the most dangerous of them all? 👀🍿
#KissePyaarKaroon #BollywoodThriller #2000sBollywood #AshmitPatel #SuspenseDrama #RareBollywood
Kisse Pyaar Karoon? is a 2009 Bollywood comedy-drama directed by Ajay Chandhok, featuring an ensemble cast led by Arshad Warsi, Aashish Chaudhary, and Yash Tonk. Released on February 27, 2009, the film explores themes of friendship, romance, and the lengths friends will go to save one another from bad decisions. Plot Summary
The story follows three inseparable college friends and "slackers"—Sid (Arshad Warsi), John (Aashish Chaudhary), and Amit (Yash Tonk). After graduating, they struggle to find employment and eventually form a Punjabi wedding band with the help of a local gangster, Munnabhai (Ashish Vidyarthi).
The central conflict arises when John, who was previously heartbroken over his classmate Natasha (Aarti Chhabria), falls for the beautiful but manipulative Sheetal (Udita Goswami). Sheetal's possessive nature and martial arts skills soon alienate John from his friends and family. Suspecting she is after John’s wealth, Sid and Amit hatch a desperate plan to "kidnap" her to show John her true colors, leading to a series of comedic misunderstandings and a dramatic climax involving a high-security wedding and a criminal mastermind named AK 47. Cast and Crew Director: Ajay Chandhok Writer: Yunus Sajawal Starring: Arshad Warsi as Sid Aashish Chaudhary as John Yash Tonk as Amit Udita Goswami as Sheetal Aarti Chhabria as Natasha Ashish Vidyarthi as Munnabhai Shakti Kapoor as AK 47 Shweta Menon as Chameli/Julie Music and Soundtrack
The soundtrack was composed by Daboo Malik, with lyrics primarily by Shabbir Ahmed. It features a mix of upbeat tracks and romantic ballads:
"Kisse Pyaar Karoon" – Performed by Shaan and Daboo Malik.
"Aahoon Aahoon" – A popular dance number sung by Sonu Nigam and Sunidhi Chauhan.
"Sanam Sanam" – A romantic duet by Shaan and Shreya Ghoshal.
"Chunar Chunar" – Sung by Shreya Ghoshal and Rahul Vaidya. Kisse Pyaar Karoon? (2009) - Plot - IMDb
The storyline of Kisse Pyaar Karoon is classic Bollywood masala, designed to keep the characters running in circles.
The protagonist, Sidhant Mehra (played by Aashish Chaudhary), is a successful architect living a dream life—or so it seems. He has a loving girlfriend named Anjali (Yuvika Chaudhary). While his professional life is soaring, his personal life hits a speed bump when Anjali pressures him to meet her family to finalize their wedding.
The conflict arises when Sidhant discovers that Anjali’s father, Retired Colonel Choudhary (Asrani), is an extremely strict and eccentric man who has already fixed Anjali’s marriage with someone else. To make matters worse, Sidhant had previously humiliated the Colonel in a comical misunderstanding.
To win over the Colonel and marry the love of his life, Sidhant must resort to a web of lies. He takes the help of his friends to create a fake identity, leading to a series of "kisse" (tales/stories) and chaotic situations. The narrative heavily relies on the "comedy of errors" trope, where one lie leads to ten more, culminating in a climactic breakdown of the facade.
While the lyricist deserves credit for the poetry, the song lives and breathes through its vocalist. The voice behind "Kisse Pyaar Karoon" possesses a raw, slightly gritty texture—far removed from the polished auto-tuned sounds of today.
The singer employs a distinct crack in the voice during the high notes of the chorus, as if his vocal cords are mimicking the "breaking heart" he describes. This is not technical perfection; it is emotional honesty. In an era where Sufi-rock was blending into pop, this vocal style drew heavily from the pain of ghazals but wrapped it in the tight production of modern pop-rock.
Listen closely to the maqta (the concluding couplet) of the song. The way the singer trails off, holding the last note a fraction of a second longer than expected, leaves the listener with a sense of unresolved longing—exactly the feeling the song seeks to evoke.