Released on March 4, 2016, Kendrick Lamar's untitled unmastered.
is a compilation of raw, experimental demos recorded primarily during the 2014–2016 sessions for his critically acclaimed album, To Pimp a Butterfly
. This project provides a deeper look into the creative process of the Grammy-winning artist, blending jazz, funk, soul, and avant-garde styles. Release and Physical Formats
The project was a surprise digital release following public advocacy from NBA player LeBron James. For collectors and audiophiles, physical editions followed shortly after: CD Release
: The explicit edition CD was released on March 11, 2016, with an edited version following on March 18. High-Fidelity Audio
: While the CD itself provides 16-bit/44.1kHz audio, FLAC (Free Lossless Audio Codec) versions are available through high-res digital retailers like for those seeking bit-perfect lossless quality. Tracklist & Production
The project consists of eight untitled tracks, each followed by the date it was originally recorded: uDiscover Music - uDiscover Music Title / Recording Date Key Contributors & Features untitled 01 | 08.19.2014 Bilal, Anna Wise untitled 02 | 06.23.2014 Cardo, Yung Exclusive, Terrace Martin untitled 03 | 05.28.2013 Terrace Martin, Bilal, Thundercat, Anna Wise untitled 04 | 08.14.2014 SZA, Jay Rock, Sounwave untitled 05 | 09.21.2014 Anna Wise, Jay Rock, Punch, Terrace Martin untitled 06 | 06.30.2014 Cee-Lo Green, Ali Shaheed Muhammad, Adrian Younge untitled 07 | 2014 - 2016 Egypt (Swizz Beatz's son), Cardo, Frank Dukes, SZA untitled 08 | 09.06.2014 Thundercat, Mono/Poly Why It's Essential
Kendrick Lamar - untitled unmastered. (2016): The Raw Genius of the TPAB Sessions
When Kendrick Lamar surprise-dropped untitled unmastered. on March 4, 2016, it wasn't just a collection of "throwaways". Instead, it served as a raw, atmospheric companion piece to his 2015 magnum opus, To Pimp a Butterfly (TPAB). For audiophiles, the Kendrick Lamar Untitled Unmastered 2016 FLAC CD release remains the definitive way to experience these tracks, offering the lossless fidelity required to capture the album’s dense, live-instrumentation-heavy soundscapes. The Origins: From the Vault to the Billboard No. 1
The project’s release was famously spurred by a public request from NBA superstar LeBron James to TDE head Anthony Tiffith after Lamar’s legendary 2016 Grammy performance. James asked for the "untitled" tracks Kendrick had been performing on late-night shows like The Colbert Report and The Tonight Show. Kendrick Lamar Untitled Unmastered 2016 FLAC CD
Recording Timeline: The tracks were recorded between 2013 and 2016 during the high-pressure sessions for TPAB.
Commercial Success: Despite being a surprise "b-side" compilation, it debuted at No. 1 on the Billboard 200, moving 178,000 units in its first week.
CD Release: While the digital version arrived on March 4, the physical CD followed on March 11, 2016, allowing fans to own the explicit version in high-quality 16-bit/44.1kHz audio. Track-by-Track Breakdown & Themes
The album features eight tracks, all untitled and dated, ranging from apocalyptic warnings to soulful meditations.
Released on March 4, 2016, untitled unmastered. is a compilation album by Kendrick Lamar that serves as a raw, spiritual extension of his 2015 masterpiece, To Pimp a Butterfly
. Despite being a collection of demos and B-sides, it debuted at number one on the US Billboard 200, proving that even Lamar's "leftovers" carry immense artistic weight. The Origin: LeBron’s Request
The project's surprise release was famously prompted by NBA star LeBron James
, who tweeted at TDE CEO Anthony Tiffith after Lamar’s legendary 2016 Grammy performance, urging him to release the "untitled tracks" Lamar had been performing live. Musical Style & Production The album continues the experimental fusion of free jazz, soul, funk, and avant-garde hip-hop established on its predecessor. Live Instrumentation : Features heavy contributions from musicians like Thundercat Terrace Martin Raw Aesthetic
: True to its name, the tracks feel purposefully under-produced and "unfinished," featuring abrupt transitions, studio ad-libs, and spoken-word interludes that offer an intimate look at Lamar's creative process. Released on March 4, 2016, Kendrick Lamar's untitled
: Each of the eight tracks is titled simply "untitled" followed by a number and the date it was recorded (ranging from 2013 to 2016). Key Tracks & Highlights Album Review: Untitled Unmastered // Kendrick Lamar
Kendrick Lamar 's untitled unmastered. is a compilation of eight raw studio demos originally recorded between 2013 and 2016 during the intensive sessions for his landmark album, To Pimp a Butterfly. Released as a surprise on March 4, 2016, the project was reportedly catalyzed by a public request from LeBron James to Top Dawg Entertainment (TDE). Physical and High-Fidelity Formats
CD Release: The physical CD version was released shortly after the digital drop, on March 11, 2016. You can still find it through retailers like Interscope Records and Amazon.
FLAC/High-Res: For listeners seeking lossless FLAC quality, the album is available on high-fidelity platforms such as Qobuz, where it can be purchased for high-resolution streaming or download. Tracklist and Production
The tracks are identified only by number and the date they were recorded, intentionally lacking formal titles to preserve their "unfinished" demo aesthetic.
Standard Spotify or YouTube Music streams average between 128kbps and 320kbps Ogg Vorbis/MP3. This conversion process uses "lossy" compression—it permanently discards frequencies that the human ear supposedly cannot hear. However, on complex, layered tracks like "Untitled 05" (featuring a chaotic horn break and whispered counter-melodies), lossy compression creates "artifacts": a watery shimmer on cymbals and a smearing of the stereo image.
The unofficial release of "Untitled Unmastered. 2016" generated significant buzz in the music industry and among fans. It:
To understand the value of the FLAC CD, one must understand the paranoia of the source material. untitled unmastered was born from the "vault." After the grueling perfectionism of TPAB, Kendrick and his primary producer, Terrence "Punch" Henderson, realized they had nearly two hours of unused sessions. These weren't throwaways; they were alternate realities.
Tracks like "untitled 02 | 06.23.2014" and "untitled 07 | 2014 – 2016" capture Kendrick in the act of becoming. The spoken word intro, the studio banter, the sudden shifts in tempo—this is not a polished product. It is a séance. The Streaming Problem Standard Spotify or YouTube Music
Elias clicked "Download." He wasn't looking for a "WEB FLAC" (a rip from a streaming service like Tidal or Qobuz). He was hunting for the specific tag: CD FLAC.
Why was this distinction useful?
.log and .cue file. This was the archivist’s seal of authenticity. It proved that someone, somewhere, had physically owned the disc and ensured every sector was read perfectly (Secure Mode).If the file didn't have these, it was a "transcode"—a fake FLAC made from an MP3. That was the archivist’s nightmare.
Given the rise of vinyl resurgence, you might wonder why the CD/FLAC path is superior for this specific album.
How to source the legitimate FLAC rip:
If the file size for an 8-track album is less than 250MB, it is not FLAC. A genuine CD rip is approximately 350–450MB for the entire album.
Why specifically target the 2016 FLAC CD version? Isn't streaming the same thing? Absolutely not. Here is the breakdown of how you lose sound when you don't use lossless files.
The rain hammered against the window of Elias’s apartment, a rhythmic drumming that matched the muted thump of the subwoofer on his desk. Elias wasn’t just a fan of Kendrick Lamar; he was a "data hoarder"—a digital archivist obsessed with the purity of sound.
On his screen, a cursor blinked over a torrent file. The title read: Kendrick Lamar - untitled unmastered. (2016) [FLAC] [CD].
For the casual listener, this was just a zip file. For Elias, it was a potential holy grail. Here is the story of why that specific file extension mattered, and how it saved an album from becoming "just another MP3."