(Barbara Trzetrzelewska) is a definitive figure in the sophisti-pop
movements of the late 80s and early 90s. Her discography from 1987 to 2018
traces a journey from chart-topping mainstream success to a more mature, independent jazz-oriented sound. Core Discography Review (1987–2018) Time and Tide (1987):
Her solo debut after leaving Matt Bianco. It is widely praised for its "cocktail jazz-pop" and "sophisticated Euro-disco" elements. Critics highlight her unique four-octave range and the album's rich, "tubey" analog warmth. It went platinum in the U.S. and is often cited as one of the best pop-jazz debuts of its era. London Warsaw New York (1990):
This release solidified her as a "contemporary jazz" powerhouse, spending most of 1990 atop the Billboard Jazz charts. It is more refined than her debut, featuring Latin-flavored tracks like "Ordinary People" and her hit cover of "Until You Come Back to Me". The Sweetest Illusion (1994):
A move toward a more organic, "multi-hued" sound. Though it struggled to find the same mainstream audience as its predecessors, it is often a fan favorite for its stylish blend of soul and dance-pop, specifically the hit "Drunk on Love". It's That Girl Again (2009):
Her "comeback" solo album after a long hiatus. It remains faithful to her signature sound—penned with longtime collaborator Danny White—but with a more mature, pensive tone. Butterflies (2018):
Her most recent studio work, which continues her blend of bossa nova and rhythmic jazz-pop. The Recoup Basia “Time and Tide” (Cherry Pop) - The Recoup
Here is the complete organized content for the verified FLAC discography of the Polish jazz-pop artist Basia jazzpop basia discography 19872018 flac verified
(Wikipedia) covering her studio and prominent live albums from 1987 to 2018. 💿 Studio Albums 1987 - Time and Tide Format: FLAC (Free Lossless Audio Codec)
Notable Singles: "Time and Tide", "New Day for You", "Promises" 1990 - London Warsaw New York Format: FLAC
Notable Singles: "Cruising for Bruising", "Baby You're Mine" 1994 - The Sweetest Illusion Format: FLAC Notable Singles: "Drunk on Love", "Third Time Lucky" 2009 - It's That Girl Again Format: FLAC Return to music after an extended hiatus 2018 - Butterflies Format: FLAC Most recent studio effort 🎤 Live & Compilation Albums 1995 - Basia on Broadway Format: FLAC Captured live at the Neil Simon Theatre 1998 - Clear Horizon: The Best of Basia Format: FLAC Career-spanning hits with new tracks
2011 - From Newport to London: Greatest Hits Live... and More Format: FLAC Features live cuts plus a selection of new studio tracks 🔒 Content Verification Details
Audio Quality: 16-Bit / 44.1 kHz Stereo (Standard CD Redbook quality) Codec: FLAC (Lossless)
Metadata Checks: Complete ID3v2 tags, album art embedded, track numbers organized
Integrity: Exact Audio Copy (EAC) or XLD log included where available to prove 100% accurate rip.
Label: Epic Records
FLAC Verification Source: Japanese SHM-CD (SICP 3347) / HDTracks 24/96 (Barbara Trzetrzelewska) is a definitive figure in the
A more polished, pop-forward album that became her commercial peak (“Cruising for Bruising”). The SHM-CD (Super High Material CD) rip in FLAC reveals micro-details in the vocal reverb and Ronnie Ross’s baritone sax.
Key Tracks: “Baby You’re Mine,” “Cruising for Bruising,” “Until You Come Back to Me (That’s What I’m Gonna Do)”
Audiophile Notes:
Basia’s discography from 1987 to 2018 is remarkably consistent in production quality. For the best verified FLAC experience:
With proper FLAC files, Basia’s warm, percussive jazz-pop finally sounds as intimate and pristine as the studio intended.
Basia Trzetrzelewska , known simply as Basia, carved out a unique space in the late 1980s and early 1990s by blending sophisticated jazz sensibilities with infectious pop melodies
. Her discography from 1987 to 2018 reflects a career marked by a singular "Latin-flavored" jazz-pop crossover sound, characterized by her wide three-octave vocal range and complex multi-layered harmonies. The Platinum Era (1987–1994)
Basia's solo career began after she departed from the British group Matt Bianco. Her debut, Time and Tide
(1987), established her as a pioneer of the "Smooth Jazz" radio format in the United States. Cherry Red Records Time and Tide (1987): 1990 – London Warsaw New York Label: Epic
The album featured the breakout hits "New Day for You" and the title track, selling over one million copies in the U.S. alone. London Warsaw New York (1990):
Often considered her masterpiece, this sophomore effort became Billboard’s Contemporary Jazz Album of the Year. It featured her biggest hit, "Cruising for Bruising," and showcased her heritage through Polish lyrics in tracks like "Reward". The Sweetest Illusion (1994):
Her third studio album continued this momentum with tracks like "Drunk on Love," which topped the Billboard dance club charts. Hiatus and Return (2009–2018)
Following the mid-90s, Basia took a significant hiatus from solo recording, partly due to personal loss, before re-emerging in the late 2000s.
| Title | Year | Why in FLAC | Availability | |-------|------|-------------|--------------| | Brave New Hope (EP) | 2018 | “No Heartache Again” – exclusive track, dynamic vinyl rip or CD | Limited CD-R | | From Newport to London (live) | 2010 | Audience-free, pristine soundboard; sax/bass clarity | DVD-A rip (24/48) | | The Best of Basia (US) | 1992 | Different mastering: less loud than EU comps. “Reward” single version. | Original Epic CD |
Avoid: Very Best of Basia (2011) – compressed. Clear Horizon – The Best (2005) – same.
Label: Epic Records
FLAC Verification Source: Original CD release (EPC 460270 2) / 2015 remaster (Expanded Edition, Cherry Red Records)
Her debut remains a masterpiece of late-’80s sophisti-pop. The album was recorded analog on 24-track tape, making a FLAC rip from a well-pressed CD essential.
Key Tracks: “Promises,” “New Day for You,” “Time and Tide”
Audiophile Notes:
auCDtect; original CDs show 100% CDDA.auCDtect / Fakin' The Funk – 100% CDDA / losslessAfter a 15-year hiatus, Basia returned. The jazzpop formula matured: less synth bass, more upright bass and real Rhodes piano. Her voice dropped slightly in range but gained warmth.