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Dmitri Kabalevsky’s Cello Concerto No. 1 in G minor, Op. 49 (1949) is not available as a PDF on IMSLP because it is still protected by copyright in most countries.
To obtain a paper copy of this concerto, you must purchase a physical edition from an authorized publisher or retailer. Where to Buy Physical Sheet Music
Boosey & Hawkes / Sikorski: This is the primary publisher for the concerto. You can find purchase and rental options directly on the Boosey & Hawkes website, particularly for the UK and Europe.
Retailers like Amazon: You can find the Cello and Piano reduction in paperback through major bookstores like Amazon.
International Music Company (IMC): Music communities on Facebook often recommend the IMC edition for Kabalevsky’s works, noting it as a reliable alternative to other regional editions. Important Note on Editions
When buying, be aware of the publisher's region, as copyright is handled by different companies: Boosey & Hawkes: Serves anglophone regions. Le Chant du Monde: Serves francophone regions. imslp kabalevsky cello concerto
Sikorski: Serves germanophone regions (though some users report their paper can be glossy with lower resolution).
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Short catalog blurb Dmitry Kabalevsky — Cello Concerto in C major, Op. 49. Full score and parts available on IMSLP. A mid-20th‑century Soviet-era concerto combining lyrical themes with rhythmic drive; suitable for intermediate to advanced cellists and chamber orchestras.
Short program note (performance) Kabalevsky’s Cello Concerto in C major, Op. 49, showcases the composer’s gift for memorable melody and clear classical forms infused with 20th‑century harmonies. The work balances expressive cantabile writing with virtuosic passages and rhythmic vitality, making it both audience‑friendly and rewarding for the soloist. Typical duration: ~20–25 minutes.
Extended program note (informative) Dmitry Kabalevsky (1904–1987) composed his Cello Concerto in C major, Op. 49, in 1948. Rooted in neoclassical clarity and Soviet-era accessibility, the concerto opens with a bold orchestral statement that leads into lyrical solo lines. The middle movement offers reflective lyricism, while the finale returns to energetic, folk‑inflected motifs and technical brilliance. The concerto’s straightforward structures, singable themes, and balanced orchestration make it well suited for conservatory recitals and regional orchestras. On IMSLP you can find editions of the full score and separate parts; check plate numbers and editorial markings before performing to select the edition that best fits your ensemble.
Metadata/listing text for IMSLP upload Title: Cello Concerto in C major, Op. 49 Composer: Dmitry Kabalevsky (1904–1987) Year: 1948 Instrumentation: Solo cello and orchestra (standard classical orchestra) Movements: I. Allegro — II. Andante — III. Allegro (approx. 20–25 minutes) Source: Public domain or publisher info (verify on IMSLP) Notes: Editions on IMSLP may include Urtext, editorial markings, and orchestral parts. Confirm copyright status for your country before downloading or uploading.
Blog excerpt/introduction If you’re exploring mid‑20th‑century cello repertoire, Kabalevsky’s Cello Concerto in C major, Op. 49, is an engaging discovery: melodic, rhythmically direct, and shorter than many Romantic showpieces. Easily programmed alongside works by Shostakovich or Prokofiev, it highlights the cello’s singing quality and offers audiences an approachable modern concerto.
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Dmitry Kabalevsky wrote two cello concertos, both of which are central to the instrument's 20th-century repertoire. If you are specifically searching for scores on , it is important to note that most of his works are not yet in the public domain You're looking for features related to the IMSLP
in many regions, including the United States, and are typically not available for free download there until approximately 2038. Cello Concerto No. 1 in G minor, Op. 49 (1949)
This is Kabalevsky's most famous cello work, often performed by advanced students and professionals alike. It is the middle piece of his "Youth Trilogy," a set of three concertos (Violin, Cello, and Piano No. 3) dedicated to Soviet youth. Sheet Music Plus Character:
Unlike the more satirical or turbulent works of Shostakovich, this concerto is characterized by optimism, lyrical beauty, and the use of folk-like melodies. Structure: Spirited and energetic with driving rhythms. Largo, molto espressivo:
An elegiac movement dedicated to fallen soldiers, featuring a melancholy Russian folk song. Allegretto:
A set of variations based on a well-known Russian song, culminating in virtuosic solo writing. Availability: While you may find mentions of it on IMSLP's Cello Concertante list , official editions are typically published by International Music Co. Cello Concerto No. 2 in C major/minor, Op. 77 (1964)
Written later in his career, this concerto is significantly more somber and complex than the first, often compared to the style of Shostakovich. Naxos Records
It is longer (approx. 30 minutes) and more introspective, showcasing a deeper emotional range than the "Youth" concertos. Confusion on Key:
While often listed in C minor, some editions and recordings refer to it in C major, reflecting its tonal ambiguity. Notable Recordings:
It was famously championed by cellist Daniil Shafran, who gave its premiere.
Dmitry Kabalevsky wrote two cello concertos, both of which are central to the instrument's repertoire, though they differ significantly in difficulty and mood. While you can find entries for Kabalevsky on the International Music Score Library Project (IMSLP) Free sheet music : IMSLP provides free access
, please note that most of his major works, including these concertos, are still protected by copyright in many regions and may not be available for free download. Overview of the Concertos Cello Concerto No. 1 in G minor, Op. 49 Cello Concerto No. 2 in C minor, Op. 77 1948–1949 Lyrical, youthful, and spirited Dark, melancholy, and mature Difficulty Advanced Student (ABRSM Grade 8 level) High Virtuosity (Professional) Key Features Russian folk-like melodies Features an alto saxophone in the orchestra Cello Concerto No. 1 in G minor, Op. 49
Part of Kabalevsky's "Youth" trilogy, this work is designed for advanced students but remains a staple in professional concert halls for its charm. Kabalevsky - Cello Concerto, 1st Mov. (piano accompaniment) Jan 24, 2022 Piano Accompaniment Category:Kabalevsky, Dmitry - IMSLP
To understand the Cello Concerto, one must understand Kabalevsky’s unique position in the USSR. While Shostakovich wrestled with the terror of the Great Terror, Kabalevsky often navigated the political waters with greater agility. He was a "official" composer in the best sense—he believed in the accessibility of music, writing works that were modern enough to be serious but melodic enough to be whistled by the common worker.
Composed in 1948–1949, the First Cello Concerto arrived during the infamous Zhdanov Decree, a time when Soviet composers were being censured for "formalism" (music deemed too complex or western). While his peers were writing tragic, dense works to express their suffering, Kabalevsky wrote a concerto that is surprisingly sunny, agile, and vocal. It is a testament to his belief that music should communicate, not obfuscate.
A two-piano or piano reduction of the orchestral part is almost always available. This allows a cellist to rehearse the concerto with a single pianist in a studio or lesson setting.
Many IMSLP entries include a scan of the full score in a reduced (A4 or letter) format. This is essential for conductors and serious students analyzing orchestration.
Occasionally, users upload arrangements for cello with string quartet, cello ensemble, or cello with electronic accompaniment (MIDI exports).
This is the heart of the concerto and the reason many cellists fall in love with the piece. It is a nocturnal aria. The piano (or harp in the orchestral version) provides a sparse, pulsating accompaniment while the cello sings a melancholic, descending theme.
Technically, this movement is deceptive. While slow, it demands incredible bow control—a perfect, sustained legato with no vibrato in the exposed high harmonics. The climax of the Largo occurs in the middle section, where the cello suddenly erupts into a passionate, declamatory phrase, only to sink back into a whisper.