Ibrahim Tatlises New! Full Discography -

İbrahim Tatlıses, famously known as İmparator (The Emperor), has a prolific discography spanning over five decades with 42 recorded albums. His work is a cornerstone of Arabesque and pop-folk music, known for its deep emotional resonance and dramatic flair. Essential Albums to Start With

If you are diving into his full collection, these are the definitive high points of his career:

Mavi Mavi (1985): Widely considered his masterpiece and one of Turkey's best-selling records of all time.

Mutlu Ol Yeter (1982): A classic record that solidified his status as a leading figure in the Arabesque genre.

Selam Olsun (1988): One of his most notable and commercially successful releases.

Aramam (2004): A significant later-career success featuring modern production.

Tek Tek (2003): A popular release that showcased his ability to adapt to changing musical styles. Top Tracks for Your Playlist

The legendary Ibrahim Tatlises, often referred to as "The Emperor," has a discography that spans over five decades and defines the genre of Arabesque music in Turkey. With over 30 albums and hundreds of songs, his musical journey is a testament to his vocal prowess and cultural impact. This article explores the comprehensive discography of Ibrahim Tatlises, highlighting the key eras and landmark releases that shaped his career. The Early Years: 1970s

Ibrahim Tatlises began his recording career in the early 1970s. His early works were heavily influenced by traditional folk music and the burgeoning Arabesque style. His debut album, Kara Kiz, released in 1970, introduced his powerful and emotive voice to the Turkish public. Other notable albums from this era include Bir Yol Goster and Ayas Garaji, which showcased his ability to blend traditional melodies with modern arrangements. The Rise to Superstardom: 1980s

The 1980s was the decade when Ibrahim Tatlises truly became a household name. His albums during this period were massive hits, often selling millions of copies. Mutlu Ol Yeter (1982) is considered one of the most influential Arabesque albums of all time, featuring the iconic title track. Other landmark releases include Yalan (1983), Benim Dunyam (1985), and Allah Allah (1987). These albums cemented his status as "The Emperor" and redefined the sound of Turkish popular music. The Mature Years: 1990s

In the 1990s, Tatlises continued to release hit albums while diversifying his musical style. He incorporated elements of pop and folk more prominently into his work. Albums like Soylim Mi (1990), Ah Keskem (1992), and Haydi Soyle (1994) showed his versatility and ability to adapt to changing musical trends. His 1996 album, Firat, was another major success, further solidifying his dominance in the industry. The New Millennium and Beyond: 2000s to Present

Despite facing personal and health challenges, Ibrahim Tatlises continued to record and release music in the 2000s. Albums such as Selam Olsun (2001), Tek Tek (2003), and Aramam (2004) were well-received by fans and critics alike. His later works, including Bulamadim (2007) and Hani Gelecektin (2010), demonstrated his enduring appeal and the timeless quality of his music. Even after a long hiatus following a serious injury in 2011, he returned with Yaylalar in 2018, proving that his passion for music remained undiminished. Key Albums in the Ibrahim Tatlises Discography

To truly understand the impact of Ibrahim Tatlises, one must delve into his most significant albums. Here is a list of some of his most essential releases: Kara Kiz (1970) Mutlu Ol Yeter (1982) Yalan (1983) Benim Dunyam (1985) Allah Allah (1987) Soylim Mi (1990) Ah Keskem (1992) Haydi Soyle (1994) Firat (1996) Selam Olsun (2001) Tek Tek (2003) Aramam (2004) Bulamadim (2007) Hani Gelecektin (2010) Yaylalar (2018) Conclusion

The discography of Ibrahim Tatlises is a rich tapestry of Turkish musical history. From his early folk-influenced recordings to his era-defining Arabesque hits and his later explorations of pop and folk, his music has touched the lives of millions. His powerful voice, emotional delivery, and cultural significance make him one of the most important figures in Turkish music. Whether you are a longtime fan or a newcomer to his work, exploring the full discography of Ibrahim Tatlises is a rewarding journey through the heart and soul of Turkish music.

İbrahim Tatlıses , widely known as the "Emperor" of Turkish music, has a prolific career spanning over five decades. His discography primarily features Arabesque and Turkish Folk music, with more than 40 studio albums and dozens of singles that have defined the genre in Turkey. Core Studio Albums & Eras Ibrahim Tatlises Full Discography

Tatlıses' career is often categorized by his transition from traditional folk to the emotional, string-heavy Arabesque style that made him a superstar.

Early Years (1970s): Focused on traditional folk and his breakthrough singles. Sevdim de Sevilmedim (1974)

Ayağında Kundura (1975) — The song that brought him national fame. Huzurum Kalmadı (1977)

The Golden Era (1980s): Marked by record-breaking sales and his status as a cultural icon. Mutlu Ol Yeter (1982) Yalan (1983)

Mavi Mavi (1985) — Often cited as one of the best-selling records in Turkish history. Gülüm Benim / Gülümse Biraz (1986) Allah Allah / Hülya (1987) Fosforlu Cevriyem (1988)

Modern Classics (1990s – 2000s): High-production albums often linked to his popular TV program, the İbo Show. Vur Gitsin Beni / Yemin Ettim (1991) Haydi Söyle (1994) Selam Olsun (1999) Tek Tek (2003) Aramam (2004) Neden? (2008) Chronological Discography Highlights

According to documentation from Wikipedia and Discogs, here are key releases through the years: Notable Albums 1970s Kara Kız (1970), Can Hatice (1977), Sabuha (1979) 1980s

Bir Mumdur (1980), Gülmemiz Gerek (1981), Benim Hayatım (1984), İnsanlar (1989) 1990s

Söylim mi? (1990), Ah Keşkem (1992), Mega Aşk (1993), At Gitsin (1998) 2000s

Yetmez mi? (2001), Bulamadım (2007), Yağmurla Gelen Kadın (2009) 2010s+ Hani Gelecektin (2011), Yaylalar (2018), Gelmesin (2021) Recent & Digital Releases

Following a long hiatus after a 2011 assassination attempt, Tatlıses returned to music with singles and digital collections.

Recent Singles: Gelmesin (2021), Gözleri Bela Kız (2023), and Devamke (2024).

Latest Compilation: Geçmiş Yıllar (released April 15, 2026) is available on streaming platforms like Deezer.

For a deeper look into his most influential period, you can listen to this compilation of his classics from the 1990s: Ibrahim tatlis klasikleri 1990-2000 Full album Jawad Music YouTube• Oct 1, 2019 The needle was gone

The needle was gone. Not broken—lost. Somewhere between the fifth divorce and the second heart attack, Murat had misplaced the ability to drop the stylus on a vinyl record without his hands shaking.

He sat on the floor of his izmir apartment, surrounded by cardboard boxes. Each one labeled in faded marker: Tatlıses 1975–1980, Arabesque Years, Duets, Live in Germany. His wife had left the last box on the curb for the garbage truck. He’d rescued it at 6 a.m. in his slippers.

“Full discography,” Murat whispered, pulling out the first album. Bir Selam Yolla (1978). The cover showed a younger Ibrahim Tatlıses—black hair thick as a storm cloud, mustache sharp enough to cut glass, eyes that had already seen too many tavernas at 3 a.m.

Murat remembered buying this one. 1983. He was seventeen, working at his uncle’s textile shop. He’d slipped the cassette into his coat pocket during lunch. That night, he played it on a broken boombox in his childhood bedroom. His father banged on the wall: “Turn off that crying! You’ll become weak.”

But that was the point. Arabesque wasn’t just music. It was the national wound set to a saz and an electric guitar. The longing for a love that never stayed. The betrayal of a country that promised modernity and delivered concrete slums. Ibrahim’s voice didn’t sing—it bled. “Ayağında kara çizmeler / Yüreğimde derin izler.” Black boots on your feet / Deep scars in my heart.

Murat lined up the albums chronologically, making a rainbow of sorrow across his rug. Sabır Taşı (1982). Yalan (1986). Allahım Neydi Günahım (1989). He’d bought each one in a different decade, for a different heartbreak. Sevda. Then Aylin. Then the German woman whose name he no longer said. Each time, Ibrahim had already recorded the exact song for that exact disaster.

Box three contained the cassettes. Murat held Mavi Mavi (1994) up to the light. The plastic case was cracked. He remembered playing this in his first car, a rusted Tofas, driving from Istanbul to Ankara just to see if a woman would be waiting at the bus station. She wasn’t. He played the B-side four times. Didn’t cry. Didn’t need to—Ibrahim had done it for him.

By midnight, the floor was a map of his life. Forty-seven studio albums. Twelve soundtracks. Five live recordings. Three compilations. And one strange bootleg from 1997, cover misprinted, that Murat had found in a Berlin flea market—Ibrahim’s face smeared like a melting saint.

He found the last cassette at the bottom of the final box. No label. He put it in the old deck, the one that still worked.

Ibrahim’s voice filled the room, young and raw, singing a song Murat had never heard. An outtake, maybe. Or a demo. The lyrics were simple: “Kaç kişi sevdim / Kaç kişi beni terk etti / Sayamıyorum artık.” How many people did I love / How many left me / I can’t count anymore.

Murat leaned his head against the speaker. The needle wasn’t lost. He just hadn’t realized—the record had never stopped playing. It was the only thing that hadn’t left him.

Outside, izmir was sleeping. Somewhere a ferry horn moaned. And in a small apartment, a man and a full discography sat together in the dark, keeping each other company the way only old friends can: wordlessly, completely, and a little bit broken.

İbrahim Tatlıses , widely known as "İmparator" (The Emperor), is a monumental figure in Turkish music, particularly within the Arabesque and folk genres. Over a career spanning more than five decades, he has recorded 42 albums, starred in 37 films, and hosted the iconic "İbo Show". Musical Evolution and Discography

Tatlıses's discography reflects his rise from a construction worker discovered while singing to a multi-platinum artist. His work is characterized by a "sweet voice" (Tatlıses) that blends traditional Turkish folk with modern Arabesque elements. Sana Birşeyler Olmuş (1977) Sen Olsan Pişman Olmazdım

The Early Years (1970–1979):His career began at age 18 with the 1970 tape Kara Kız/Beni Yakma Gel Güzelim. His national breakthrough came with the 1977 album "Ayağında Kundura", which propelled him to stardom.

The Golden Era of Arabesque (1980–1989):During this decade, he released his most influential works, including "Mavi Mavi" (1985)—reported to be Turkey's best-selling record of its time—and "Allah Allah" (1987).

Expansion and Maturation (1990–Present):Tatlıses continued to dominate with hits like "Haydi Söyle" (1994) and "Aramam" (2004). Despite a near-fatal assassination attempt in 2011, he returned to the stage and continues to release music, such as the 2025 single "Megri Megri". Notable Albums Album Title Impact/Key Tracks Ayağında Kundura Established national fame; title track became an anthem. Yalan Cemented his place in the Arabesque genre. Mavi Mavi Top-selling album in Turkey; legendary status. Haydi Söyle

Featured major Turkish musicians; massive commercial success. Klasikleri A compilation reported to have sold six million copies. Aramam One of his best-selling albums of the 2000s. Cultural Impact

Studio Albums:

  1. Sana Birşeyler Olmuş (1977)
  2. Sen Olsan Pişman Olmazdım (1978)
  3. Çok Yalnızım (1979)
  4. Gönlümde Bakarım (1980)
  5. Kara Toprak (1981)
  6. Reklam (1982)
  7. Bir Kız Beni Anlar (1983)
  8. Seni Düşünmek (1984)
  9. Ah Nerede (1985)
  10. Kırmızı Çizgiler (1986)
  11. Mazi (1987)
  12. Gözlerimi Kaparım (1988)
  13. Yalvarıyorum (1990)
  14. Ağla Gözlerim (1991)
  15. Seni Yitirdim (1992)
  16. Gülümse (1993)
  17. Hayalinde Bulunsam (1994)
  18. Bir Namazlık Zaman (1995)
  19. Aman Dünyam (1996)
  20. Hatırası Olsun (1997)
  21. Paylaşılmaz (1998)
  22. Kırık Kanatlar (1999)
  23. Farkındayım (2000)
  24. Keder (2001)
  25. Sözüm Onaydı (2002)
  26. Kısmet (2003)
  27. Aşk Hikayesi (2004)
  28. Ben Seni Severek... (2005)
  29. Gözlerim (2006)
  30. Kavga (2007)
  31. Seni Çok Severek... (2008)
  32. Bu Yolda (2009)
  33. Söz (2011)
  34. Kırık Ses (2012)
  35. Ağla (2014)
  36. Dostlar Beni Hatırlasın (2016)

Live Albums:

  1. İbrahim Tatlıses Live (2006)

Compilation Albums:

  1. En İyileri (1995)
  2. Bir Ömür... (2001)
  3. İbrahim Tatlıses'in En İyileri (2005)
  4. Altın Şarkılar (2010)

Singles:

  1. "Mesajım Var" (2019)

Music Videos:

İbrahim Tatlıses has also released numerous music videos throughout his career, which can be found on YouTube and other video platforms.

Introduction: The Unbreakable Voice

They call him İmparator (The Emperor). It is a title not given lightly in Turkish music, but earned through decades of chart-topping hits, a film career spanning 30+ movies, and a resilience that mirrors the dramatic, often sorrowful lyrics of his songs.

Ibrahim Tatlises is more than a singer; he is a cultural institution. His discography—a sprawling collection of over 40 albums—is not just a catalog of music. It is a historical record of Turkey’s social evolution from the 1970s to the present day. This feature explores the eras of Tatlises, charting the rise of a poor boy from Sanliurfa to the defining sound of Arabesk and Pop.

Part 4: The Modern Sultan – 2000 to Present

The 21st century saw Tatlises become a political figure (he briefly attempted a presidential run) and a reality TV star. His music became sparser, yet his voice gained a gravelly texture that appealed to a new generation.

Film Soundtracks: The Visual Discography

You cannot discuss his discography without mentioning his 20+ films. Almost every Tatlises film from the 70s and 80s came with a soundtrack album. Key soundtracks include:

  • Fosforlu Cevriyem (1979 film)
  • Mavi Mavi (1982 film)
  • Yalan (1983 film)

These soundtracks often feature instrumental versions of his hits, which are beloved by collectors.