Çeled Uşaglar is Gaziantep's first and only local theater group and school dedicated to preserving the city's unique cultural heritage through the "Antep" dialect. Founded in 2009 by writer and actor Orhan Uslu
, the group's name literally translates to "mischievous kids" in the local tongue. Key Characteristics & Performances
The group is famous for its humorous take on everyday life, social issues, and local traditions. The "Antep" Dialect:
Their primary rule is performing in the authentic Gaziantep accent, often including local slang and idioms that resonate deeply with the residents. Popular Plays: Some of their well-known stage plays include "Gaderigaragol,"
which follows a newly appointed police officer's hilarious first day in the city, and Digital Presence:
They are highly active on social media, producing short comedic sketches about modern issues like electricity price hikes or funny "1 April" pranks. Theater School and Culture Center Beyond performances, the group operates the Çeled Uşaglar Kültür Merkezi in Şahinbey, Gaziantep. Education:
They offer theater classes for various age groups, including children, teens, and adults. Community Impact:
The school serves as a hub for keeping Gaziantep's oral history alive while training new generations of actors.
You can find them across from Sankopark AVM at the entrance of the 100. Yıl Kültür Parkı. Where to Watch You can watch full plays and sketches on the Orhan Uslu - Çeled Uşaglar YouTube Channel Social Media: Follow their latest sketches and announcements on or specific theater workshop registration details? Expand map Theater Center Nearby Landmarks Çeled Uşaglar Kültür Merkezi - Tiyatro Okulu Gaziantep'in ilk ve tek tiyatro okulu
Çeled Uşaglar is a renowned theater group based in Gaziantep, Turkey
, led by actor and writer Orhan Uslu. The name translates to "mischievous children" or "clever boys" in the local Gaziantep dialect. They are famous for their comedy plays and sketches that heavily feature the unique culture, traditions, and distinct accent of Gaziantep.
Since you asked to "make a piece," here is a short scene written in the style of their comedic sketches, blending Gaziantep flavor with a modern situation: The "Expert" Investment Characters:
A local man who thinks he knows everything about the market. HÜSEYİN: Memet's skeptical friend, currently eating a lahmacun. A small tea house (Kıraathane) in the heart of Gaziantep. (Whispering, leaning in)
Hüseyin, put down that lahmacun! I’ve got the tip of the century. You know the price of (eggplant) is going to the moon? HÜSEYİN:
Memet, it’s just an eggplant. Why are you acting like it’s gold? celed u%C5%9Faglar
Because it is! I talked to a guy at the Bakırcılar Çarşısı. He says next week, if you don't have
for the kebab, you aren't a real Gaziantep citizen. I’ve invested my whole retirement into the eggplant market. HÜSEYİN: You bought a field?
No, I bought three trucks of them. They’re parked behind the castle. I’m a "Balcan Investor" now. HÜSEYİN:
Memet, they’re going to rot in this heat before the market opens. (Freezes, looking at the sun)
Rot? In Gaziantep heat?... Hüseyin, give me a bite of that lahmacun. I think I need to start a "Grilled Eggplant" business by tonight!
You can watch their actual performances and full plays on the Çeled Uşaglar YouTube Channel they use or details on their upcoming performances Celed Usaglar - Home - Facebook
The group emerged from the vibrant cultural scene of Ganja, Azerbaijan's second-largest city. Initially formed as a KVN (Club of the Funny and Inventive) team, they quickly gained a reputation for their sharp humor, local relatability, and mastery of the Ganja dialect. Their performances often bridge the gap between traditional Azerbaijani folk humor and modern social satire. Cultural Impact and Style
What sets Celed Uşaqlar apart is their deep connection to the specific cultural nuances of Ganja. Their work is characterized by:
Local Dialect: They use the unique Ganja accent, which adds a layer of authenticity and "street-smart" charm to their sketches.
Social Satire: Their shows often mirror everyday life in Azerbaijan, poking fun at social norms, family dynamics, and regional stereotypes in a lighthearted yet insightful way.
Theatrical Versatility: Over the years, the group evolved from short comedy sketches to full-scale theatrical productions, performing at venues like the Ganja State Philharmonia and touring across the country. Key Members and Legacy
The group has been led and popularized by figures such as Vüsal Murtuzəliyev, who became a household name through his comedic timing and leadership of the troupe. They have successfully transitioned into the digital age, with their sketches garnering millions of views on social media platforms like YouTube and Instagram, making them one of the most recognizable comedy brands in the country. Where to See Them
The group remains active, primarily based in Ganja but frequently performing in Baku. They are staples at: Ganja State Puppet Theatre (often hosting comedy nights).
Azerbaijani Television (AZTV or Ictimai TV): Where they frequently appear in holiday specials and comedy programs. Çeled Uşaglar is Gaziantep's first and only local
Celed Uşaqlar represents more than just a comedy troupe; they are a modern preservation of Ganja’s unique wit and a testament to the power of regional identity in Azerbaijani entertainment.
Upon returning to the newly declared Republic of Turkey in 1928, Celed Üşaglar settled not in the bustling capital of Ankara or the cultural hub of Istanbul, but in İzmir. Here, he formed a loose collective known as the "İzmir Avangard." While the Istanbul scene was dominated by decorative Ottoman flourishes and Parisian-inspired landscapes, Üşaglar was carving geometric abstractions from local marble and imported bronze.
His first major public break came with the monument "Yükselen Ruh" (The Ascending Spirit) in 1934. The work was a ten-foot-tall spiral of interlocking rhomboids. Critics were baffled. The state, which was busy promoting figurative, heroic statues of Atatürk, viewed abstract geometry with suspicion. Üşaglar defended his work not as "art for art's sake," but as a mathematical representation of the nation's ascent from feudalism to industry.
Celed Üşaglar remains a specter of what Turkish modernism could have been if it had followed a purely constructivist, industrial path instead of the lyrical, pastoral route it ultimately took. To search for "Celed Üşaglar" is to discover a ghost in the machine—an artist who twisted metal and stone into questions so sharp they cut through time itself. Whether his body lies at the bottom of the sea or in a quiet village in the Balkans, his spirit remains, forever spiraling upward in the quiet galleries of İzmir.
Image search suggestion: "Celed Üşaglar spiral sculpture," "Celed Üşaglar İzmir Avangard," "Celed Üşaglar Sonsuz Döngü."
Meaning and Context: "Celed" or "çeld" can refer to a type of whip or a lash used to drive animals or, more figuratively, to refer to punishment or encouragement. "Uşağı" translates to "of the servant" or "servant's." So, "Celed uşağı" could potentially refer to a type of servant or a person related to or responsible for a whip or similar tool.
Possible References:
Searching for Specific Information:
If you can provide more context or clarify your interest (historical information, literary reference, etc.), I could offer a more tailored response.
To be one of the celed uşaglar means knowing everyone’s name, respecting the elders of the street, and having each other’s backs no matter what. It’s a culture of hospitality, sharp wit, and a deep-rooted pride in where they come from. From the windy streets of Baku to the heart of every district, they are the heartbeat of the neighborhood.
"Celed Uşaqlar" (meaning "Cunning Kids" or "Shrewd Kids" in Azerbaijani) is a song by the artist Deep Paper. The track is a popular piece within the Azerbaijani electronic and rap scene, known for its deep bass and atmospheric production.
It is widely available for streaming and discovery on several major platforms:
Spotify: You can listen to the track on Deep Paper's Spotify profile.
Apple Music: The song is featured in Deep Paper's discography on Apple Music. Return to Turkey and the "İzmir Avangard" Upon
YouTube: Many official and fan-uploaded versions, including lyrics videos, are available on YouTube.
SoundCloud: The track is also popular on SoundCloud for fans of underground electronic music.
Since "u%C5%9Faglar" decodes to "uşaglar" (a Turkish word meaning "children," "kids," or "followers," depending on the dialect), and "celed" implies a command to "make" or "create," I have drafted a blog post focused on the theme of "Celed Uşaglar" (Making/Crafting with Children).
This interpretation assumes you are looking for content about activities, parenting, or creativity involving kids. If "Celed" refers to a specific brand, person, or location in your context, please let me know, and I will happily revise!
Çelik Uşaklar is not a quantity-over-quality actor. His filmography is selective but heavy with impactful projects:
Born on August 1, 1970, in İzmir, Turkey, Çelik Uşaklar did not stumble into fame through reality TV or modeling. He took the classical route. After graduating from high school in the Aegean region, he moved to Ankara to pursue acting at the prestigious Ankara University State Conservatory.
Upon graduation, Uşaklar honed his craft on the stage. He performed with several state theatres and independent troupes, mastering the works of Shakespeare, Chekhov, and Turkish playwrights like Haldun Taner. This theatrical foundation gave him the gravitas that would later define his screen performances. Unlike many screen actors who rely on close-ups, Uşaklar uses his entire body to convey emotion—a skill learned in the pit of a live theatre.
Celed Üşaglar was born in 1902 in the waning days of the Ottoman Empire in the Aegean region. The chaos of the Balkan Wars and the subsequent Turkish War of Independence forged a rugged individualism in his character. Unlike his contemporaries who were sent to Paris or Munich, Üşaglar took an unusual path: he traveled to the Soviet Union in the early 1920s.
Studying at the Vkhutemas (Higher Art and Technical Studios) in Moscow, Üşaglar was exposed to the raw energy of Constructivism and Suprematism. While his peers in Europe were dissecting Cubism, Üşaglar was learning about the dynamic tension of mass and void from the disciples of Kazimir Malevich. This Soviet period is the single most important key to understanding his later work—specifically his fixation on the "spiral of labor."
In the folk culture of Azerbaijan, a celed uşag isn’t a villain. They are the protagonists of the neighborhood stories. They are the ones climbing the mulberry tree before the fruit is ripe, the ones kicking the football until it breaks a window, and the ones inventing games that make no sense to adults but everything to them.
The phrase is often used with a mix of frustration and hidden affection. It acknowledges a spark. A quiet, obedient child is a blessing, but a celed child has character. They have agency. They are testing boundaries, not just breaking rules.
What sets Celik Uşaklar apart is his silence. In an industry where dialogue often rushes at a breakneck pace, Uşaklar allows pauses to breathe. Directors praise his "stillness." He can sit in a chair for a three-minute scene without speaking, and the audience will be more terrified of him than of the man holding a gun. His eyes, often described as "calcified," shift from warm to glacial within a single take.
In interviews (which are rare; he is famously private), Uşaklar cites his method as "finding the humanity in the monster."
"I do not play evil," he once told Hürriyet. "I play desperation. Every cruel man believes he is the victim of his own story. If I convince myself of that, you, the audience, will see a man, not a devil. That is far scarier."
For thirty years, Celed Üşaglar was a footnote. That changed in 1994 when a professor at Dokuz Eylül University discovered a cache of 72 photographs in the basement of the İzmir Archaeology Museum. The photographs, taken by Üşaglar himself, documented his "lost" exhibition of 1955. Without the physical sculptures, the photographs became the art.
Today, the Celed Üşaglar Archive is housed in a small, dedicated room at the İzmir Sanat Müzesi. In 2022, a small bronze study from 1949 bearing his signature "C.Ü." sold for $320,000 at a London auction—a record for an artist of his obscure rank.